Robert_Yasuda_Footprint_1998.jpg (263 × 377 pixels, file size: 74 KB, MIME type: image/jpeg)
Summary
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 | This image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks:
qualifies as fair use under United States copyright law. Any other use of this image, whether on Wikipedia or elsewhere, could potentially constitute a copyright infringement. For further information, please refer to Wikipedia's guidelines on non-free content. |
| Description |
Robert Yasuda, Footprint (acrylic polymer on fabric on wood, 49" x 32", 1998). The image illustrates a period and body of work in Robert Yasuda's career that began in the 1980s, when he produced multi-panel paintings featuring idiosyncratic sculptural, architectural and framing elements. These paintings combined elements such as bowed and carved wooden panels, rounded or upturned corners, or (as in this work) incomplete frames suggesting lintel, gate or bridge forms, while emphasizing or alluding to ephemeral aspects and forms such as vapor, wind, water, color or, in this case, footprints. This body of work has been publicly exhibited in prominent museums and venues, discussed widely in national art and daily press publications, and collected by major art institutions. |
|---|---|
| Source |
Artist Robert Yasuda. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a period and body of work in Robert Yasuda's career that began in the 1980s: his multi-panel paintings featuring idiosyncratic sculptural, architectural and framing elements; these elements include bowed and carved wooden panels and forms, rounded or upturned corners, and incomplete frames suggesting lintel, gate or bridge forms. In the later 1990s and early 2000s, these often employed eccentrically shaped supports and offered subtle considerations of states of mind and ephemeral aspects of water, light, air color or form. Because the article is about an artist and his work, the omission of the image would significantly limit a reader's understanding and ability to visualize a key development in his art, which brought ongoing recognition from art journals, daily press publications, and museums. Yasuda's work of this type and this work in particular is discussed in the article and by prominent critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Robert Yasuda, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Robert Yasuda//en.wikipedia.org/wiki/File:Robert_Yasuda_Footprint_1998.jpgtrue | |
File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 15:49, 8 February 2021 | | 263 × 377 (74 KB) | Mianvar1 (talk | contribs) | {{Non-free 2D art|image has rationale=yes}} {{Non-free use rationale | Article = Robert Yasuda | Description = Robert Yasuda, ''Footprint'' (acrylic polymer on fabric on wood, 49" x 32", 1998). The image illustrates a period and body of work in Robert Yasuda's career that began in the 1980s, when he produced multi-panel paintings featuring idiosyncratic sculptural, architectural and framing elements. These paintings combined elements such as bowed and carved wooden panels, rou... |
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