| Year
|
Title
|
Production compan(y/ies)
|
2010
(10th)
|
| Richard III
|
Melbourne Theatre Company
|
| August: Osage County
|
Melbourne Theatre Company
|
| Happy Days
|
Malthouse Theatre
|
| The Book of Everything
|
Company B Belvoir and Kim Carpenter's Theatre of Image
|
2011
(11th)
|
| The Wild Duck
|
Belvoir
|
| The Diary of a Madman
|
Belvoir
|
| Uncle Vanya
|
Sydney Theatre Company and Bell Shakespeare
|
| Do not go gentle
|
fortyfivedownstairs
|
2012
(12th)
|
| Ganesh Versus the Third Reich
|
Back to Back Theatre, Malthouse Theatre and Melbourne Festival
|
| Neighbourhood Watch
|
Belvoir
|
| The Boys
|
Griffin Theatre Company and Sydney Festival
|
| The Importance of Being Earnest
|
Melbourne Theatre Company
|
2013
(13th)
|
| The Secret River
|
Sydney Theatre Company, The Confederation of Australian International Arts Festivals, Sydney Festival, The Centenary of Canberra, Perth International Arts Festival
|
| Medea
|
Belvoir and Australian Theatre for Young People
|
| Death of a Salesman
|
Belvoir
|
| Hedda Gabler
|
State Theatre Company of South Australia
|
2014
(14th)
|
| Angels in America
|
Belvoir
|
| Roman Tragedies
|
Toneelgroep Amsterdam presented by Adelaide Festival in association with Adelaide Festival Centre
|
| The Shadow King
|
Malthouse Theatre in association with the Confederation of Australian International Arts Festivals (Adelaide Festival, Brisbane Festival, Melbourne Festival, Perth International Arts Festival and Sydney Festival)
|
| Waiting for Godot
|
Sydney Theatre Company
|
2015
(15th)
|
| The Glass Menagerie
|
Belvoir
|
| Calpurnia Descending
|
Malthouse Theatre and Sydney Theatre Company
|
| Suddenly Last Summer
|
Sydney Theatre Company
|
| Endgame
|
Sydney Theatre Company
|
2016
(16th)
|
| The Bleeding Tree
|
Griffin Theatre Company
|
| North by Northwest
|
Melbourne Theatre Company and Kay + McLean Productions by special arrangement with Warner Bros. Theatre Ventures
|
| Piece for Person and Ghetto Blaster
|
Performing Lines and Nicola Gunn
|
| Prize Fighter
|
La Boite Theatre Company and Brisbane Festival
|
2017
(17th)
|
| The Drover's Wife
|
Belvoir
|
| Jasper Jones
|
Melbourne Theatre Company
|
| Once in Royal David's City
|
Queensland Theatre and Black Swan State Theatre Company
|
| Things I Know To Be True
|
State Theatre Company of South Australia and Frantic Assembly
|
2018
(18th)
|
| The Children
|
Melbourne Theatre Company and Sydney Theatre Company
|
| The Irresistible
|
Side Pony Productions and The Last Great Hunt
|
| The Real and Imagined History of the Elephant Man
|
Malthouse Theatre
|
| Black is the New White
|
Sydney Theatre Company
|
| The Resistible Rise of Arturo Ui
|
Sydney Theatre Company
|
| Laser Beak Man
|
Brisbane Festival, La Boite Theatre Company and Dead Puppet Society in association with PowerArts
|
2019
(19th)[4][5]
|
| Counting and Cracking
|
Belvoir and Co-Curious
|
| Blackie Blackie Brown: The Traditional Owner of Death
|
Sydney Theatre Company and Malthouse Theatre
|
| The Harp in the South: Part One and Part Two
|
Sydney Theatre Company
|
| Song for a Weary Throat
|
Rawcus
|
| Harry Potter and the Cursed Child (Parts One and Two)
|
Sonia Friedman Productions, Colin Callender and Harry Potter Theatrical Productions, and Michael Cassel
|
| The Second Woman
|
Nat Randall and Anna Breckon and Performing Lines
|
