THE VISUAL ARTS PORTAL

Introduction

Vincent van Gogh painting The Church at Auvers from 1890 gray church against blue sky
The Church at Auvers, an oil painting by Vincent van Gogh (1890)

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, comics, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts, as well as arts of other types. Also included within the visual arts are the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art.

Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying to the highest degree on the imagination of the artist and being the furthest removed from manual labour – in Chinese painting, the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)

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William McTaggart Spring (1864)

Scottish art in the nineteenth century is the body of visual art made in Scotland, by Scots, or about Scottish subjects. This period saw the increasing professionalisation and organisation of art in Scotland. Major institutions founded in this period included the Institution for the Encouragement of the Fine Arts in Scotland, the Royal Scottish Academy of Art, the National Gallery of Scotland, the Scottish National Portrait Gallery and the Glasgow Institute. Art education in Edinburgh focused on the Trustees Drawing Academy of Edinburgh. Glasgow School of Art was founded in 1845 and Grays School of Art in Aberdeen in 1885.

Henry Raeburn, most famous for his intimate portraits of leading figures in Scottish life, was the first significant artist to pursue his entire career in Scotland. His pupils included the brothers William, Archibald and Andrew Robertson. The next generation of portrait painters included David Watson and John Watson Gordon. Significant Glasgow artists included John Graham-Gilbert and Daniel Macnee. David Wilkie emerged as of one of the most influential British artists of the century in a variety of forms. Alexander Nasmyth helped formulate the tradition of Scottish landscape painting, which focused in the mid-nineteenth century on the Highlands. It was taken into the late nineteenth century by artists including Horatio McCulloch, Joseph Farquharson and William McTaggart. Towards the end of the century a number of artist colonies were founded, particularly in coastal communities such as Pittenweem and Kirkcudbright. Wilkie was instrumental in the development of genre painting, which was pursued by artists including John Burnet, Alexander George Fraser and Walter Geikie. He also helped inspire the interest in Spanish and oriental painting, continued by William Allan, David Roberts and John Phillip. (Full article...)

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Yellow Christ by Paul Gauguin
Yellow Christ by Paul Gauguin
Yellow Christ by Paul Gauguin
Credit: Postdlf
Paul Gauguin's The Yellow Christ (1889) is a quintessential example of Cloisonnism, a post-Impressionism movement noted for its bold forms and dark contours. The painting now hangs in the Albright-Knox Art Gallery in Buffalo, New York.

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I try to apply colors like words that shape poems, like notes that shape music.
Joan Miró, unknown


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Hans Namuth (March 17, 1915 – October 13, 1990) was a German-born photographer. Namuth specialized in portraiture, photographing many artists, including abstract expressionist Jackson Pollock. His photos of Pollock at work in his studio increased Pollock's fame and recognition and led to a greater understanding of his work and techniques. Namuth used his outgoing personality and persistence to photograph many important artistic figures at work in their studios.

Namuth photographed many other painters such as Willem de Kooning, Robert Rauschenberg, and Mark Rothko and architects such as Frank Lloyd Wright, Philip Johnson, and Louis Kahn. Namuth focused on his rapport with his subjects, getting many reclusive figures such as Clyfford Still to agree to be photographed. Namuth's work not only captured his subjects in their studios with their works, but also captured the relationship between photographer and subject as well as the subjects' levels of self-consciousness. Besides famous art figures, Namuth photographed the Mam people of Todos Santos, whose native lifestyles were being overrun by Western influences. Namuth died in a Long Island car crash in 1990. (Full article...)

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