Wikipedia

Verizon Ladies First Tour

(Redirected from The Verizon Ladies First Tour)

The Verizon Ladies First Tour (2004) was a co-headlining concert tour by American recording artists Beyoncé, Alicia Keys and Missy Elliott. Canadian artist Tamia was featured as a special guest on certain dates. The tour, dubbed an "urban Lilith Fair", supported Beyoncé's debut studio album, Dangerously in Love (2003) Keys' sophomore album, The Diary of Alicia Keys (2003) and Elliott's fourth and fifth albums, Under Construction (2002) and This is Not a Test! (2003), respectively.[3]

Verizon Ladies First Tour
National tour by Beyoncé, Alicia Keys and Missy Elliott
LocationU.S., North America
Associated album
Start dateMarch 12, 2004 (2004-03-12)
End dateApril 21, 2004 (2004-04-21)
Legs1
No. of shows30
Box office$19.4 million[1]
($31.3 million in 2023 dollars[2])
Beyoncé tour chronology
  • Verizon Ladies First Tour
  • (2004)
Alicia Keys tour chronology
  • Verizon Ladies First Tour
  • (2004)

The trio toured the United States performing in over twenty cities during March and April of 2004. Ladies First was the first time at least three female R&B/hip hop artists were featured as headliners, and it went on to be one of the biggest tours of that year, ranking 34th on Pollstar's "Top Tours of 2004"—grossing around $20 million.[4][5] The success of the tour prompted talks for a second tour in 2005; however, those plans were scrapped, with Verizon focused on developing their VIP Tour instead.

Background

edit

The tour was originally supposed to feature Beyoncé Knowles along with Ashanti, Monica, Mýa and Mary J. Blige; however, scheduling conflicts prevented these four women from being available.[6][7] When the tour was officially announced, it was promoted as featuring Beyoncé with Keys and Elliott, as well as Tamia joining the bill. The tour was announced by various media outlets in January 2004. Conceived by Verizon Communications, the tour was sponsored by Steve Madden and L'Oréal. Hayman Entertainment and Clear Channel Entertainment served as tour promoters.[8] Costumes and fashions were by Dolce & Gabbana.[9] Upon the tour's announcement, and with tabloid speculation of a three-way "rivalry" between the artists, Beyoncé dispelled these rumors, saying that all three women were already good friends and there would be no competitive energies, on-stage or off. All three expressed their interest in performing on a tour of this magnitude and nature,[10] as it would be the first modern tour highlighting iconic women in the hip hop and R&B music scenes.[11] Beyoncé stated:

"Even before I started putting my album together last year, I wanted to get together a tour with other women. I know that you have a lot of types of tours with other types of artists, but not just strictly hip-hop and R&B women".[12]

Critical reception

edit

The tour was lauded by critics and spectators. Although most reviews praised the ensemble, many felt Keys and Beyoncé were the stars of the show. Neil Drumming of Entertainment Weekly thought Keys was the most "radiant" performer of the evening at the Office Depot Center in Florida; he felt "Her old-school references charmed, and her clap-along 'How Come You Don't Call Me' obliterated the CD version. Mounting the piano, tickling keys with one hand, she struck a quirky balance between class and kitsch".[13] Jon Parles from The New York Times wrote that all the ladies "earned their due" during the concert at the Nassau Veterans Memorial Coliseum, in Uniondale, New York. He further stated that "The three headliners have made their way in a hip-hop culture that largely treats women as playthings and conquests. Their response has been to play along while making modest demands of their own. In the meantime, they're willing to work like superwomen".[14]

Unlike the aforementioned reviews, Steve Hammer (of the newspaper NUVO) was not impressed with the show at Indianapolis' Conseco Fieldhouse, feeling the concert to be "inconsequential". He further explained that "Any show featuring three multiplatinum recording artists is bound to struggle against time limitations. But the problems plaguing each of the three fine artists — Missy Elliott, Alicia Keys and Beyoncé — was not that the sets were so short, but that they were so meaningless".[15]

Nonetheless, high praises continued as the trio performed at the MCI Center in Washington, D.C.; Portsia Smith, of The Free Lance–Star, said that the show was a night of "talent" and "beauty", and spoke highly of all the acts—though stating that Keys was the most in-demand for the audience. Of Keys, Smith elaborated, "She wowed the audience members, who probably thought she would just sit at her piano and sang. But how wrong were they."[16] Keys received another positive review from Stephen Kiehl, of The Baltimore Sun, saying: "[…]But the most astute set[-]closer belonged to Keys, who sang 'You Don't Know My Name' from her new album. The song features a one-sided cell phone conversation between a coffee shop waitress and the guy she has a crush on. She asks him out, but then loses the signal."[17]

Ben Johnson (of the newspaper The Day) wrote that the show at the Hartford Civic Center was nothing short of "decadence". He continues, "[...] became a rallying point of girl power fit for an appearance by the Powerpuff Girls".[18] The highlight of the tour was the concert at Madison Square Garden. The show featured guest appearances from Big Boi, Fabolous, Jay-Z, Kelly Rowland and Michelle Williams. Stephen Reid of MTV News felt that throughout the entire show, Beyoncé was the star. He remarked, "If Muhammad Ali had been at Madison Square Garden Monday night, no doubt he would've found something to pound like a drum as he yelled, 'The champ is here! The champ is here!' That's exactly the aura Beyoncé gave off as she began her closing set of the Verizon Ladies First Tour, which also features Alicia Keys, Missy Elliott and Tamia".[19] Reid also gave rave reviews for Keys' section of the show. "Fittingly, she started with 'Heartburn', shaking her body like Ike-era Tina Turner, causing a sudden rise in blood pressure among the men in the audience. The sex appeal was being poured all over Madison Square like milk on Cheerios".[19]

Jennifer Wood, of the East Valley Tribune, enjoyed the show at the America West Arena in Phoenix, Arizona, saying, "From the moment Elliott appeared on stage wearing a black suit covered in rhinestones to Beyoncé's exit nearly four hours later, the audience rarely sat as it ogled three of the most celebrated female talents in hip-hop and R&B".[20] The San Francisco Chronicle's Neva Chonin said the concert at The Arena in Oakland—which featured Carlos Santana as a guest—proved why Beyoncé is a star, saying, "In a time of assembly-line pop icons, she manages to infuse her packaged performance with charisma and genuine talent. Her vocal workouts on ballads like 'Dangerously in Love 2' clambered smoothly up and down the scales".[21]

Shows

edit
List of United States concerts, showing date, city, venue, opening act, attendance and gross revenue[22][23]
Date
(2004) 		City Venue Opening act Attendance
(Tickets sold / available) 		Revenue
March 12 Sunrise Amerant Bank Arena Tamia 11,962 / 12,285 (97%) $808,378
March 14 New Orleans Smoothie King Center 10,983 / 12,390 (89%) $659,606
March 15 Dallas American Airlines Center 6,624 / 12,096 (55%) $444,138
March 17 San Antonio AT&T Center 8,988 / 13,391 (67%) $535,029
March 18[a] Houston NRG Stadium N/A N/A N/A
March 21 Greensboro Greensboro Coliseum Complex Tamia 6,520 / 10,564 (62%) $366,003
March 23 Philadelphia Wells Fargo Center 12,571 / 12,571 (100%) $864,919
March 24 Boston TD Garden 12,061 / 17,201 (70%) $815,963
March 25 Uniondale Nassau Coliseum 8,686 / 17,472 (50%) $620,425
March 26 Hampton Hampton Coliseum N/A N/A N/A
March 27 Charlotte Charlotte Coliseum Tamia 10,145 / 17,549 (58%) $632,375
March 28 Atlanta State Farm Arena 12,310 / 12,310 (100%) $845,693
March 29 Cleveland Rocket Mortgage FieldHouse N/A N/A N/A
March 30 Indianapolis Gainbridge Fieldhouse Tamia 6,883 / 14,123 (49%) $369,175
April 1 Minneapolis Target Center 8,123 / 12,363 (66%) $369,287
April 2 Rosemont Allstate Arena 11,585 / 14,391 (81%) $723,885
April 3 Auburn Hills The Palace of Auburn Hills 10,674 / 14,899 (72%) $703,978
April 5 East Rutherford Meadowlands Arena 11,505 / 15,474 (73%) $817,340
April 6 Philadelphia Wells Fargo Center 9,382 / 14,182 (66%) $623,428
April 7 Washington, D.C. CapitaI One Arena 25,379 / 30,826 (82%) $1,708,805
April 9 Hartford XL Center 8,944 / 11,245 (80%) $609,898
April 10 Uniondale Nassau Coliseum 12,936 / 12,936 (100%) $940,406
April 11 Washington, D.C. Capitol One Arena [b] [b]
April 12 New York City Madison Square Garden 13,725 / 13,725 (100%) $1,110,090
April 15 Phoenix Footprint Center 9,326 / 11,932 (78%) $568,350
April 16 Las Vegas Michelob Ultra Arena N/A 9,131 / 9,378 (97%) $778,917
April 17 Anaheim Honda Center Tamia 21,697 / 25,432 (85%) $1,616,943
April 18 Oakland Oakland Arena 20,725 / 24,362 (85%) $1,644,858
April 20
April 21 Anaheim Honda Center [c] [c]
TOTAL 280,865 / 363,097 (77%) $19,177,889

Notes

edit
  1. ^ The concert of March 18, 2004 in Houston, Texas at the Reliant Stadium was a part of the Spring Break Stampede.[24]
  2. ^ a b The score data is representative of the two shows in Washington, D.C. at the MCI Center on April 7 and 11 respectively.
  3. ^ a b The score data is representative of the two shows in Anaheim, California at the Arrowhead Pond of Anaheim on April 17 and 21 respectively.

References

edit
  1. ^ "2004 Top 100 Tours" (PDF). Pollstar. January 2005. Archived from the original (PDF) on April 16, 2023. Retrieved April 16, 2023.
  2. ^ 1634–1699: McCusker, J. J. (1997). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda (PDF). American Antiquarian Society. 1700–1799: McCusker, J. J. (1992). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States (PDF). American Antiquarian Society. 1800–present: Federal Reserve Bank of Minneapolis. "Consumer Price Index (estimate) 1800–". Retrieved February 29, 2024.
  3. ^ Patel, Joseph (January 28, 2004). "Beyoncé, Alicia Keys And Missy Elliott Plan Spring Tour". MTV News. Archived from the original on November 7, 2012. Retrieved July 15, 2011.
  4. ^ "Ladies First Tour Sets Bar for R&B Outings". Yahoo! News. May 8, 2004. Archived from the original on October 1, 2012. Retrieved July 15, 2011.
  5. ^ "2004 Top 100 Tours". Pollstar Online. Pollstar, Inc. March 7, 2005. Archived from the original on March 8, 2005. Retrieved July 15, 2011.
  6. ^ "Beyonce's All Girl Tour". Contactmusic.com. September 9, 2003. Retrieved October 21, 2021.
  7. ^ "Throwback Thursday: My Conversation With Beyonce Knowles". Always A List. Retrieved October 7, 2018.
  8. ^ "Ladies First Trek Sets Bar For R&B Outings". Billboard. Vol. 116, no. 20. May 15, 2004. p. 18. ISSN 0006-2510. Retrieved July 15, 2011.
  9. ^ "Dolce & Gabbana Design Exclusive Wardrobes for Beyoncé and Missy Elliott for the Verizon Ladies First Tour 2004" (Press release). Business Wire. March 23, 2004. Archived from the original on October 5, 2012. Retrieved July 15, 2011.
  10. ^ Moss, Corey (February 6, 2004). "Missy Predicts Friendly Competition On Tour With Alicia, Beyoncé". VH1 News. Archived from the original on February 5, 2013. Retrieved July 15, 2011.
  11. ^ Gibson, Kendis (March 18, 2004). "Beyoncé, Missy, Alicia hit road for 'Ladies First Tour'". CNN. Archived from the original on October 9, 2012. Retrieved July 15, 2011.
  12. ^ Jones, Steve (March 9, 2004). "For ladies of hip-hop, R&B, a musical 'First'". USA Today. Archived from the original on November 4, 2012. Retrieved July 15, 2011.
  13. ^ Drumming, Neil (April 2, 2004). "Tour Report: Ladies First". Entertainment Weekly. Archived from the original on August 7, 2010. Retrieved July 15, 2011.
  14. ^ Paroles, Jon (March 27, 2004). "POP REVIEW; Ladies of Hip-Hop, Receiving Their Due". The New York Times. Archived from the original on April 2, 2015. Retrieved July 15, 2011.
  15. ^ Hammer, Steve (April 7, 2004). "Show review – Verizon Ladies First Tour". NUVO. NUVO, Inc. Archived from the original on April 4, 2012. Retrieved July 15, 2011.
  16. ^ Smoth, Portsia (April 15, 2004). "Beyoncé! Alica! Tamia!". The Free Lance–Star. Fredericksburg, Virginia. pp. 11 (Weekender). Retrieved July 15, 2011.
  17. ^ Kiehl, Stephen (April 9, 2004). "Keys proving to be first lady of tour". The Baltimore Sun. Archived from the original on September 28, 2012. Retrieved October 25, 2008.
  18. ^ Johnson, Ben (April 11, 2004). "Four divas show it is always 'Ladies First' in Hartford". The Day. New London, Connecticut. pp. D6. Retrieved July 15, 2011.
  19. ^ a b Reid, Stephen (April 13, 2004). "First Among Equals: Beyoncé Steals The Show At Ladies First". MTV News. Archived from the original on June 29, 2011. Retrieved July 15, 2011.
  20. ^ Wood, Jennifer (April 16, 2004). "Beyoncé and friends thrill Phoenix crowd". East Valley Tribune. Freedom Communications. Archived from the original on November 1, 2004. Retrieved October 25, 2008.
  21. ^ Chonin, Neva (April 10, 2004). "Beyoncé, Keys, Elliott do the diva number in Oakland". San Francisco Chronicle. Archived from the original on November 7, 2012. Retrieved July 15, 2011.
  22. ^ "The Verizon Ladies First Tour Starring Beyoncé, Alicia Keys, & Missy Elliott With Special Guest Tamia" (Press release). PR Newswire. February 10, 2004. Archived from the original on October 14, 2012. Retrieved July 15, 2011.
  23. ^ Box score data:
  24. ^ "Rodeo parade draws thousands downtown". Houston Chronicle. March 1, 2004. Archived from the original on October 24, 2012. Retrieved July 15, 2011.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Verizon_Ladies_First_Tour&oldid=1256855683"