From today's featured articleThe Marchioness disaster was a collision between two vessels on the River Thames in London in the early hours of 20 August 1989 that resulted in the deaths of 51 people. The pleasure steamer Marchioness, with about 130 people on board, sank after being hit twice by the dredger Bowbelle. The Marine Accident Investigation Branch blamed a lack of lookouts, but it was criticised by the families of the victims for failing to interview anyone on Marchioness or Bowbelle. A formal inquiry was finally held in 2000; its report concluded that "The basic cause of the collision is clear. It was poor lookout on both vessels. Neither vessel saw the other in time to take action to avoid the collision." Further criticism was aimed at the owners of both ships, at the Department for Transport and at the Port of London Authority. The collision and the subsequent reports led to increased safety measures on the Thames, and four new lifeboat stations were installed on the river. (Full article...) Did you know...
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On this dayAugust 20: Day of Restoration of Independence in Estonia (1991); St. Stephen's Day / State Foundation Day in Hungary
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Today's featured picture
Modern Rome is a name given to each of three almost identical oil-on-canvas paintings by Italian artist Giovanni Paolo Panini, originally produced as pendant paintings to Ancient Rome for his patron, the comte de Stainville, who was the French ambassador to Rome from 1753 to 1757. The first two versions of the painting were created for Stainville in 1757, while the third was painted a couple of years later for Claude-François de Montboissier de Canillac de Beaufort. This picture is the second version of Modern Rome, part of the collection of New York's Metropolitan Museum of Art. The work shows a picture gallery with a large number of paintings and sculptures depicting contemporary buildings and monuments in Rome, including St. Peter's Square, the Trevi Fountain, Santa Maria Maggiore, Piazza Navona, Michelangelo's Moses and a Medici lion. Stainville is depicted in an armchair in the left of the gallery. The first version of the painting is in the Museum of Fine Arts, Boston, while the third is in the Louvre in Paris. Painting credit: Giovanni Paolo Panini
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