William Hammond (29 August 1947 – 30 January 2021) was a New Zealand artist who was part of the Post-colonial Gothic movement at the end of the 1990s.[2] He lived and worked in Lyttelton, New Zealand.[3][4] The theme of his works centred around the environment and social justice.
Bill Hammond | |
|---|---|
| Born | William Hammond 29 August 1947 Christchurch, New Zealand |
| Died | 30 January 2021 (aged 73) |
| Nationality | New Zealand |
| Education | Ilam School of Fine Arts[1] |
| Known for | Painting |
Early life
editHammond was born in Christchurch on 29 August 1947.[5] He attended Burnside High School.[6] He went on to study at the Ilam School of Fine Arts of the University of Canterbury from 1966 until 1969.[6][7][8] Before embarking on his career in art, he worked in a sign factory, made wooden toys, and was a jewellery designer.[9] He also had a keen interest in music, serving as the percussionist for a jug band[5] called The Band of Hope.
Career
editHammond started to exhibit his works in 1980,[5] and went back to painting on a full-time basis one year later.[10] His first solo exhibition was at the Brooke Gifford Gallery in Christchurch in 1982.[11] In March 1987 he showed for the first time at the Peter McLeavey Gallery in Wellington, an exhibition followed by over 20 others.[5]
One of Hammond's best known work was the painting Waiting for Buller (1993).[12] This was in reference to Walter Lawry Buller, the first New Zealander ornithologist who wrote A History of New Zealand Birds in 1873.[5] Hammond was particularly interested in the contradictions in Buller's life, in how he documented birds while being a hunter and taxidermist.[13] Another noted piece of his was Fall of Icarus (1995),[14] which explores the effects of the colonisation on the country,[9] and is exhibited at Christchurch Art Gallery.[5] The Guardian described this as "his most famous work".[9] His painting Bone Yard, Open Home (2009) was the largest single piece of canvas he painted,[6] with a width of more than four metres.[15]
In 1994, Hammond was the joint Premier Award winners with Luise Fong for the Visa Gold Art Award, the largest art prize in New Zealand at the time.[16]
Themes
editThe overarching theme of Hammond's work was social and environmental issues. Specifically, it touched on the imperiled state of both,[5] as well as the destruction brought on by colonisation.[9] His paintings feature two common themes: references to popular music and gaunt creatures with avian heads and human limbs.[17][18] The characters in Hammond's paintings, which were often anthropomorphic animals, rarely move away from their natural habitat and are in no hurry.[10] Humans are notably absent from his works during the later part of his career, which was influenced by his visit to the Auckland Islands in 1989.[5][9] Two signature colors employed by Hammond were emerald green and gold.[10] He was also at the forefront of the Post-colonial Gothic movement. This ultimately became "one of the most influential tendencies in New Zealand painting" at the turn of the 3rd millennium.[13]
Later life
editHammond eschewed giving interviews[9] and guarded his privacy.[6] He died on the evening of 30 January 2021, at the age of 73.[5] He was labelled as one of the country's "most influential contemporary painters" by Radio New Zealand.[5]
Collections
edit- Chartwell Collection at the Auckland Art Gallery[19]
- Christchurch Art Gallery[20]
- Fletcher Trust Collection[21]
- Museum of New Zealand[22]
- Sarjeant Gallery[23]
- University of Auckland Art Collection[24]
- Victoria and Albert Museum, London.[25]
References
edit- ^ "Hammond paints to own rare beat in Christchurch Art Gallery show".
- ^ "Bill Hammond's private artistic vision". NZ Herald. 15 October 2000.
- ^ Paul Wood, Andrew (11 July 2017). "Art: Bill Hammond". Verve magazine. Archived from the original on 5 March 2018.
- ^ Simmons, Laurence; Armstrong, Philip (2007). Knowing Animals. ISBN 978-9004157736.
- ^ a b c d e f g h i j "Bill Hammond, one of nation's most influential artists, has died". Radio New Zealand. 1 February 2021.
- ^ a b c d Van Beynen, Martin; Law, Tina; Kenny, Lee (1 February 2021). "Lyttelton legend' Bill Hammond remembered for his 'immense' contribution to New Zealand's art". Stuff. Retrieved 1 February 2021.
- ^ "Bill Hammond, one of New Zealand's most influential artists, has died". The New Zealand Herald. 31 January 2021. Retrieved 31 January 2021.
- ^ "Bill Hammond: Something is happening here". ArtNow. Archived from the original on 18 September 2020.
- ^ a b c d e f de Jong, Eleanor (1 February 2021). "Bill Hammond, renowned New Zealand artist, dies aged 74". The Guardian. London. Retrieved 1 February 2021.
- ^ a b c "Bill Hammond: Jingle Jangle Morning". Christchurch Art Gallery. 2007. Retrieved 1 February 2021.
- ^ "Bill Hammond One of the Nation's Most Influential Artists has Died". Radio New Zealand. 1 February 2021. Retrieved 8 March 2024.
- ^ Potts, Annie; Armstrong, Philip; Brown, Deidre (March 2014). A New Zealand Book of Beasts: Animals in Our Culture, History and Everyday Life. ISBN 9781869407728.
- ^ a b "Shag Pile". Christchurch Art Gallery. Retrieved 1 February 2021.
- ^ "Bill Hammond – Fall of Icarus". Christchurch Art Gallery. Retrieved 1 February 2021.
- ^ Jackson, Blair (1 October 2020). "A Bird in the Hand". Christchurch Art Gallery. Retrieved 1 February 2021.
- ^ "Visa Gold Art Awards". christchurchartgallery.org.nz. Retrieved 15 November 2024.
- ^ Gate, Charlie (18 March 2016). "Christchurch artist Bill Hammond sells quake-damaged Lyttelton studio". Archived from the original on 3 February 2019.
- ^ Whitfield, Paul (September 2010). The Rough Guide to New Zealand. ISBN 9781405385480.
- ^ "Bill Hammond – Cornwall Road – Chartwell Collection of contemporary art".
- ^ "Living Large 6".
- ^ "Gladrap".
- ^ "Loading... | Collections Online – Museum of New Zealand Te Papa Tongarewa".
- ^ "Bill Hammond". Sarjeant Gallery Whanganui. Retrieved 23 November 2020.
- ^ "Art Collection > "Twirl"".
- ^ "New Zealand art lands in V&A museum | New Zealand News UK".