Bram Stoker's Dracula (1974 film)

Dracula, also known as Bram Stoker's Dracula and Dan Curtis' Dracula, is a 1974 British made-for-television gothic horror film and adaptation of Bram Stoker's 1897 novel Dracula. It was written by Richard Matheson and directed by Dark Shadows creator Dan Curtis, with Jack Palance in the title role. It was the second collaboration for Curtis and Palance after the 1968 TV film The Strange Case of Dr. Jekyll and Mr. Hyde.[1]

Bram Stoker's Dracula
Release poster
Also known asDracula
GenreGothic horror
Written byRichard Matheson
Directed byDan Curtis
StarringJack Palance
Simon Ward
Nigel Davenport
Pamela Brown
Fiona Lewis
Penelope Horner
Murray Brown
Music byRobert Cobert
Country of originUnited Kingdom
Original languagesEnglish
Hungarian
Production
ProducerDan Curtis
CinematographyOswald Morris
EditorRichard A. Harris
Running time100 minutes
Production companyLatglen Ltd.
Original release
Release8 February 1974 (1974-02-08)

Plot

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"Bistritz, Hungary May 1897": natives in Transylvania seem afraid when they learn solicitor Jonathan Harker is going to Castle Dracula. Jonathan finds the Count abrupt and impatient to get things done. Dracula reacts very strongly to a photograph of Harker's fiancée Mina and her best friend, Lucy. After preventing his brides from devouring Harker, he forces the young solicitor to write a letter saying he will be staying in Transylvania for a month. Harker climbs down the castle wall and finds Dracula's coffin but is attacked and knocked out by one of Dracula's gypsy servants before he can stake Dracula. They later throw him in the lower levels of the crypt, where the brides attack him again.

The Demeter runs aground carrying only Dracula and the dead captain lashed to the wheel. Soon after, Lucy begins to fall ill. Her fiancé, Arthur Holmwood, is perplexed and calls in Dr. Van Helsing. Dracula arrives at the house in Hillingham and uses remote hypnosis to make the occupants fall asleep, he then turns his attention to Lucy. Entranced, Lucy awakes in a highly aroused state and aware of Draculas presence, immediately makes her way outside to him. Drawn to him and completely spellbound she kneels before him and guides his hand to her neck, confirming she is submissive to him. After a brief and passionate seduction she is fully pliant and completely under his will. Consumed by bloodlust, Dracula exposes Lucy's neck and reveals his fangs. Lucy allows herself to be bitten. Dracula feeds on Lucy as she is in a helpless state of bliss. The doctor starts to recognize what might be happening, after Lucy is found, drained of blood, under a tree the next morning. Dracula has flashbacks of his wife – of whom Lucy is the spitting image – on her deathbed centuries earlier.

Lucy's mother is in the room with Arthur when Dracula comes calling the last time, a wolf shattering the window and attacking Arthur. Lucy soon rises from the dead and comes to the window of Arthur's home, begging to be let in. Arthur does so, delighted and amazed that she's alive, unaware that she is now a vampire under Dracula's control. This very nearly gets him bitten, but Van Helsing interrupts with a cross causing her to flee. They go to Lucy's grave and drive a wooden stake into her heart. When Dracula comes to the tomb later and beckons to her, he goes berserk upon finding that she's truly dead.

Mina tells Van Helsing about the news story about the Demeter, the boxes of earth, and Jonathan going to meet Dracula to sell him a house. From these clues, Van Helsing and Holmwood go about finding all but one of Dracula's "boxes of earth" (containing his native soil, in which a vampire must rest). But back at the hotel, the vampire hunters discover Dracula is there seeking revenge. He has bitten Mina and, before their eyes, forces her to drink blood from a self-inflicted gash in his chest. All that they love, all that is theirs, he will take, he says.

The tracking of Dracula back to his home commences with Van Helsing hypnotizing Mina. Via the bond of blood, she sees through Dracula's eyes and discovers where he is headed. At the castle, Van Helsing and Holmwood find and stake the brides. Jonathan, now a rabid and bloodthirsty vampire, attacks Arthur and Van Helsing, but in the struggle is knocked by Arthur into a pit of spikes and killed. The final confrontation with Dracula takes place in what looks like a grand ballroom. Arthur produces a cross, temporarily keeping Dracula at bay, but the vampire throws a table at them, knocking it away. As Dracula attacks Arthur, Van Helsing pulls down the window curtains, and sunlight pours in. Dracula is weakened, giving Van Helsing the opportunity to pierce his heart with a long spear.

They leave him there. Before the portrait of a living warrior Dracula, with Lucy's lookalike in the background, a text scrolls across the screen about a warlord who lived in the area of Hungary known as Transylvania, and how it was said he had found a way to conquer death – a legend no one has ever disproven.

Cast

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Virginia Wetherell, Barbara Lindley, and Sarah Douglas appear as Dracula's wives. George Pravda plays an innkeeper in Transylvania and Hana Maria Pravda plays the innkeeper's wife. Reg Lye portrays the zookeeper killed by Dracula's wolf. The Stockton-on-Tees clerk is portrayed by John Challis. Stuntman Eddie Powell makes an uncredited appearance as the man killed by Dracula at the Whitby inn.

Production

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Dan Curtis decided to film Bram Stoker's Dracula in two locations: Yugoslavia, where there were old castles and quiet land, and England, where the remainder of the story is set.[2]

Release

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The initial CBS-TV broadcast in October 1973 was pre-empted for an address by Richard Nixon on the resignation of Spiro Agnew. Instead it was broadcast in February 1974.[3] CBS took advantage of the successful release of director Francis Ford Coppola's identically titled adaptation, Bram Stoker's Dracula (1992), to rebroadcast the film on 28 November 1992 (two weeks after Coppola's film opened).[citation needed]

Legacy

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The film was released on VHS and Laserdisc. In the 1990s, Columbia Pictures and Coppola, who wanted to emphasize that his cinematic adaptation of Dracula would be unlike any that had come before, purchased the rights to the title Bram Stoker's Dracula.[4] Nearly all subsequent home video releases of the earlier film have been under the title Dan Curtis' Dracula, or simply Dracula.[citation needed]

In addition to the title of Curtis' movie, Coppola also utilized its two key elements which distinguish it from previous adaptations: the depiction of Dracula and Vlad the Impaler – the historical Dracula – as being the same person, and the relationship between Dracula and his reincarnated wife (Lucy in the 1974 movie, and Mina in the 1992 film).[5]

According to a featurette on a DVD release of the film, Palance was asked to reprise the role of Dracula several times, but he always declined.

The Marvel Comics series The Tomb of Dracula features a Dracula whose appearance was based on Jack Palance.[3] The series debuted in 1972, before Palance had actually played the role of Dracula. Artist Gene Colan was inspired by Palance's performance in The Strange Case of Dr. Jekyll and Mr. Hyde (1968), Curtis and Palance's previous television movie.[6]

See also

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References

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  1. ^ Joshi, S.T. (2011). Encyclopedia of the Vampire: The Living Dead in Myth, Legend, and Popular Culture. ABC-CLIO. p. 61. ISBN 9780313378331.
  2. ^ Smith, Gary A. (2017). Vampire Films of the 1970s: Dracula to Blacula and Every Fang Between. McFarland & Company. p. 181. ISBN 9780786497799.
  3. ^ a b Scivally, Bruce (2015). Dracula FAQ: All That's Left to Know About the Count from Transylvania. Backbeat books. ISBN 978-1617136009.
  4. ^ Marx, Andy (26 January 1992). "A look inside Hollywood and the movies. : QUICK BITES : Bet You Thought Bela Lugosi's Neck Biter Was True to Bram Stoker". Los Angeles Times. Archived from the original on 15 July 2012. Retrieved 22 November 2010.
  5. ^ Silver, Alain; Ursini, James (2011). The Vampire Film. Hal Leonard. p. 155. ISBN 978-0879103958.
  6. ^ Field, Tom (2005). Secrets in the Shadows: The Art & Life of Gene Colan. TwoMorrows Publishing. p. 99. ISBN 9781893905450.
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