Cinthia Marcelle was born in Belo Horizonte, Brazil, in 1974. She is a Brazilian multimedia artist focusing in photography, video and installation work. She studied at the Universitadad Federal de Minas Gerais.[1]

She lives and works in Belo Horizonte.[2]

Marcelle's art is mainly characterized by the synthesis and concision of language in her work. She takes inspiration from things she sees in her everyday life such as typical objects, places and their interactions.[3]

She has had solo exhibitions at MoMA PS1,[4] and the Secession.[5][6] She has also been included in the 2018 Berlin Biennale,[7] the 2013 Istanbul Biennial, the 2012 New Museum Triennial,[8] the 2015 Sharjah Biennial[9] and the 2017 Venice Biennale.[6][10]

One of her first well seen art pieces were photographs that she had made with the South African artist, Jean Meeran (Capa Morada, 2003). In these photos, Marcelle disappeared into the landscape, dressed in a cape with matching colors so that she and the city elided. In one of her installation pieces, Education by Stone, she pushed numerous rods of chalk, a traditional teaching material, into the school-turned-gallery. This was seen at the Museum of Modern Art in 2016.[11]

She is the recipient of the 2010 Future Generation Prize.[12] Marcelle applied for the prize when she was 35 and submitted three films which were featured at the Pinchuk Art Center in Kyiv, Ukraine.[citation needed]

Works

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  • CONFRONTO (2005)[2]
  • FONTE 193 (2007)[2]
  • Black hole of b series (2008)[2]
  • Explanation (2009)[2]
  • 475 Volver (2009)[2]
  • Reel to Reel (2009)[2]
  • This same world over (2009)[2]
  • R=O (2009)[2]
  • Evasion Plan #3 (2012)[2]
  • Project 105: Education by Stone (2016)[2]
  • Nau (2017)[2]
  • Verdade ou Desafio (2018)[2]

Exhibitions

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Awards

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  • International Prize for Performance, Trento, Italy (2006)[13]
  • Annual TrAIN Artist in Residency award, Gasworks, London (2009)[13]
  • Future Generation Art Prize, Pinkchuk Art Center, Kyiv, Ukraine (2010)[13]

References

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  1. ^ Great women artists. Phaidon Press. 2019. p. 261. ISBN 978-0714878775.
  2. ^ Gorrell, Michael Gorrell (2011). "E-books on EBSCOhost: Combining NetLibrary E-books with the EBSCOhost Platform". Information Standards Quarterly. 23 (2): 31. doi:10.3789/isqv23n2.2011.07. ISSN 1041-0031.
  3. ^ "Projects 105: Cinthia Marcelle". The Museum of Modern Art. Retrieved 31 December 2019.
  4. ^ "Cinthia Marcelle". Secession. Retrieved 31 December 2019.
  5. ^ a b "Cinthia Marcelle". Artsy. Retrieved 31 December 2019.
  6. ^ "Cinthia Marcelle". Berlin Biennale. Retrieved 31 December 2019.
  7. ^ "The Generational Triennial: "The Ungovernables"". New Museum. Retrieved 31 December 2019.
  8. ^ "At The Risk Of The Real". Sharjah Art Foundation. Retrieved 31 December 2019.
  9. ^ "Cinthia Marcelle's "Chão de caça" Pavilion of Brazil at the 57th International Art Exhibition". Biennial Foundation. 21 April 2017. Retrieved 31 December 2019.
  10. ^ "Cinthia Marcelle". Border Crossings. December 2018. Retrieved 4 March 2020.
  11. ^ "Cinthia Marcelle". NOW Modern Art. Archived from the original on 31 December 2019. Retrieved 31 December 2019.
  12. ^ a b c d e f g h "Cinthia Marcelle". Sharjah Art Foundation. Retrieved 19 August 2020.
  13. ^ "Cinthia Marcelle: A Conjunction of Factors". Website Barcelona Museum of Contemporary Art (MACBA). Retrieved 25 July 2022.
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