Wikipedia

Clara Chipman Newton

Clara Chipman Newton (October 26, 1848 – December 8, 1936)[2] was an American artist best known as a painter of porcelain and china.

Clara Chipman Newton
Clara Chipman Newton as painted by Mary Louise McLaughlin
BornOctober 26, 1848
Delphos, Ohio, U.S.
DiedDecember 8, 1936
Cincinnati, Ohio, U.S.
Resting placeSpring Grove Cemetery[1]
NationalityAmerican
Known forPainting

Education and early life

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Born in Delphos, Ohio, Newton was the daughter of S.C. Newton, a Vermont merchant who moved his family to Cincinnati in 1852. She attended Miss Appleton's Private School for Girls from 1863-65. When her father died in 1871 and her stepmother moved to Denver, Colorado, Newton chose to stay in Ohio.[3]

In the early 1870s, she attended the School of Design of the University of Cincinnati, where she studied wood-carving and china painting with Benn Pitman.[4] In addition to her artistic abilities, Newton was noted among friends and colleagues for her exceptional memory, business acumen, vivid turns of phrase, and distinctive handwriting.[3]

Art career

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Earthenware teapot with bronze handle, inscribed "Made by Clara Chipman Newton for Maria Longworth Nichols with deepest appreciation and affection Dec. 25, 1882." Cooper Hewitt, Smithsonian Design Museum

Newton exhibited her china painting at the 1876 Philadelphia Centennial Exposition, and in 1879 she became one of the founding members and the secretary of the Cincinnati Pottery Club along with Mary Louise McLaughlin, who was to become a close friend. For more than a decade, beginning with its founding in 1880, she worked at Maria Longworth Nichols Storer's Rookwood Pottery, as a china decorator, archivist, and general assistant with the title of secretary. She shared with Storer responsibility for overseeing the decoration and glazing,[4][5] and beginning in 1881 she taught classes in overglaze painting at Rookwood's new pottery school.[6] Newton was thus deeply involved with two of the institutions—the Cincinnati Pottery Club and Rookwood—that are most closely associated with the American art pottery movement of the late 19th century[7]

For the 1893 World's Columbian Exposition in Chicago, Newton played an important role in helping to organize the Cincinnati Room in the Woman's Building. Newton was put in charge of arranging all of the exhibits in the Cincinnati Room, some 280 objects altogether—a quarter of them made by Newton's friend and mentor McLaughlin— ranging from ceramics, paintings, sculpture, and woodcarving to needlework and books.[3]

Newton did not have independent means, so to supplement her work at Rookwood she opened her own studio in downtown Cincinnati in 1885 and around the same time took a part-time job as a teacher at the Thane Miller School. By the early 1900s, Newton had moved to Glendale, where she was head of the art department for the Glendale Female Seminary. Over the course of her career, she taught china painting, watercolor, oil painting, and relief modeling.

Throughout her life, she was a champion of new media and what she called "women's work", pursuing her activism through a variety of arts-and-crafts organizations. Among other things, she was a founding member and secretary of the Cincinnati Woman's Club (in continuous operation since 1894).[3][4]

In 1906, Newton provided a group of watercolor decorations for an edition of Oscar Wilde's Poems in Prose that was published in Thomas Bird Mosher's "Ideal Series of Little Masterpieces" (Vol. 2 of 12).[8] These include illuminated capital letters and graceful, full-page arabesques in the Art Nouveau style. At the time, such embellishments were not uncommon in editions intended for collectors.[9]

An example of her porcelain painting work is in the Metropolitan Museum of Art's (NYC) permanent collection, on display in the American Wing, Gallery 774.[10]

Newton's personal papers were donated to the Cincinnati Historical Society after her death on December 8, 1936, at age 88.

Further reading

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  • Clara Chipman Newton: A Memorial Tribute (small booklet; limited edition, privately distributed)
    Compiling committee: Florence Murdoch (maiden; 1887–1977) (chairman); Eunice Resor (née Eunice Swift Thoms; 1871–1960); Susan Galbraith (née Susan Clark Neff; 1877–1970); Emma Mendenhall (1873–1964); Elizabeth Kellogg (née Elizabeth Rockey Kellogg; 1870–1967)
    The booklet was hand designed, printed, and bound by the Stratford Press (the private press of Elmer Frank Gleason; 1882–1965; at his home in Cincinnati); co-publishers: (i) Cincinnati Woman's Club, (ii) The Loring Andrews Company, (iii) The Stratford Press; released November 1, 1938; OCLC 2728836[11]
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References

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  1. ^ "Famous Delphosonians".
  2. ^ Profile with dates of birth and death, delphoscanalcommission.com; accessed March 12, 2017.
  3. ^ a b c d Ellis, Anita J. The Ceramic Career of M. Louise McLaughlin. Ohio University Press, 2003. OCLC 50774244
  4. ^ a b c Haverstock, Mary Sayre, Jeannette Mahoney Vance, and Brian L. Meggitt. Artists in Ohio, 1787–1900: A Biographical Dictionary. Kent State University Press, 2000. OCLC 982452363
  5. ^ Zipf, Catherine W. Professional Pursuits: Women and the American Arts and Crafts Movement. University of Tennessee Press, 2007. OCLC 368047656
  6. ^ Owen, Nancy Elizabeth "On the Road to Rookwood: Women's Art and Culture in Cincinnati, 1870–1890." Ohio Valley History. Vol. 1, No. 1, Winter 2001. pps. 4–18. OCLC 5892530548; ISSN 1544-4058
  7. ^ Mendenhall, Lawrence (1906). "Cincinnati's Contribution to American Ceramic Art". Brush and Pencil. 17 (2): 47–61. doi:10.2307/25503953. ISSN 1932-7080. JSTOR 25503953. OCLC 7586584538.
  8. ^ This illuminated book is in the Bishop Collection of the Mosher Press and can be seen at the Thoms Bird Mosher website.
  9. ^ Poems in Prose; by Oscar Wilde; printed for Thomas B. Mosher and published by him, 1906. OCLC 3765584
    The Ideal Series of Little Masterpieces (Vol. 2 of 12)
    Printed on Van Gelder paper (nl) or Japanese vellum
  10. ^ "Bowl," by Clara Chipman Newton. ca. 1890–1895.
  11. ^ "In Memorandum: Mrs. Clara Chipman Newton," The Cincinnati Enquirer, November 5, 1938, p. 7 (accessible via Newspapers.com at www.newspapers.com/newspage/99887188 and www.newspapers.com/newspage/103332637, subscription required)
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