Die Seejungfrau (The Mermaid) is a fantasy for large orchestra in three movements by Austrian composer Alexander von Zemlinsky, based on the folk-tale "The Little Mermaid" by Hans Christian Andersen.

Zemlinsky c. 1900

Background

edit

In April 1901, Zemlinsky began a romantic liaison with his pupil Alma Schindler. However, Alma broke off the relationship in November after meeting Gustav Mahler whom she subsequently married in March 1902.[1] Die Seejungfrau was, in part, an expression of the heartbreak and sense of rejection that Zemlinsky felt as a result.[1] The work was begun in February 1902 with the orchestration completed in March 1903.[2]

The work was first performed on 25 January 1905 at the Musikverein in Vienna with the Wiener Konzertverein Orchester conducted by the composer in a concert that also included the premiere of Arnold Schoenberg's Pelleas und Melisande.[2] The critical response was largely favourable.[2] Further performances followed in Berlin in December 1906, conducted by Walter Meyrowitz, and in Prague in November 1907, conducted by Artur Bodanzky.[2]

Withdrawal and rediscovery

edit

Some time after the Prague performance, Zemlinsky withdrew the work. Later, he gave the score of the first movement to his friend, Marie Pappenheim, as a gift.[2] The second and third movements he took with him to New York after fleeing Austria in 1938.[3] These were eventually deposited, along with the rest of Zemlinsky's manuscripts, with the Library of Congress in Washington, D.C.[2]

For many years after the composer's death, the score of Die Seejungfrau was presumed lost or destroyed.[2] The second and third movements were assumed by Zemlinsky's widow Louise to be the surviving fragments of a symphony in E-flat major.[3] In the early 1980s, two British Ph.D students, Keith J. Rooke and Alfred Clayton, working separately, compared the items in Vienna and Washington and established that they belonged together.[2] The first modern performance of the work was given by the Austrian Youth Orchestra conducted by Peter Gülke in 1984.[2] Since then, the work has become one of Zemlinsky's most frequently performed and several recordings have appeared. A critical edition of the score, edited by Zemlinsky scholar Antony Beaumont, was published by Universal Edition in 2013.[2] This includes a passage of 88 bars in the second movement, depicting the Mermaid's visit to the Mer-witch, which Zemlinsky expunged from the score before the première.[2]

Instrumentation

edit

Structure

edit

The work consists of three movements:

  1. Sehr mäßig bewegt
  2. Sehr bewegt, rauschend
  3. Sehr gedehnt, mit schmerzvollem Ausdruck

The total playing time is around 47 minutes for the critical edition.

Recordings

edit

Based on the critical edition (2013)

edit
Year Conductor Orchestra Label I. II. III. Total Ref
2015 John Storgårds Helsinki Philharmonic Orchestra Ondine 15:48 17:16 14:41 47:45 [4]
2016 Emmanuel Krivine Luxembourg Philharmonic Orchestra Alpha 15:26 17:38 13:04 46:06 [5]
2020 Marc Albrecht Netherlands Philharmonic Orchestra Pentatone 15:56 17:06 14:26 47:28 [6]

Older recordings

edit
Year Conductor Orchestra Label I. II. III. Total Ref
1986 Riccardo Chailly Berlin Radio Symphony Orchestra Decca 15:19 12:17 12:30 40:06 [7]
1997 Thomas Dausgaard Danish National Symphony Orchestra Chandos 15:37 13:42 13:33 43:02 [8]
2003 Antony Beaumont Czech Philharmonic Orchestra Chandos 14:26 11:56 12:36 38:58 [9]
2005 Thomas Dausgaard Danish National Symphony Orchestra Dacapo 14:26 12:32 13:08 40:06 [10]
2006 James Judd New Zealand Symphony Orchestra Naxos 15:30 11:54 13:27 40:49 [11]
2010 Leon Botstein American Symphony Orchestra ASO 16:48 13:43 16:30 47:01 [12]
2010 Cornelius Meister ORF Radio-Symphonieorchester Wien CPO 17:05 13:36 14:35 45:16 [13]

References

edit
  1. ^ a b Beaumont, Antony (2000). Zemlinsky. London: Faber & Faber. ISBN 978-0571169832.
  2. ^ a b c d e f g h i j k Antony Beaumont: Foreword to published score (UE 35541)
  3. ^ a b Andrew Huth: booklet notes for Decca CD in "Entartete Musik" series, 1996
  4. ^ "Zemlinsky: Die Seejungfrau (The Mermaid) & Sinfonietta". Ondine. Retrieved 2021-03-08.
  5. ^ "Emmanuel Krivine conducts R. Strauss & Zemlinsky". Outhere. Retrieved 2021-03-08.
  6. ^ "Zemlinsky - Die Seejungfrau". Pentatone. Archived from the original on 2020-08-05. Retrieved 2021-03-08.
  7. ^ "Zemlinsky: Die Seejungfrau/Psalms". Decca. Retrieved 2021-03-08.
  8. ^ "Zemlinsky: Die Seejungfrau · Sinfonietta". Chandos Records. Archived from the original on 2021-03-16. Retrieved 2021-03-08.
  9. ^ "Zemlinsky: Die Seejungfrau & Symphony No. 1". Chandos.
  10. ^ "Zemlinsky: Die Seejungfrau & Enna: The Little Match Girl". Dacapo Records. 17 March 2016. Retrieved 2021-03-09.
  11. ^ "Zemlinsky - The Mermaid". Naxos. Retrieved 2021-03-09.
  12. ^ "Die Seejungfrau (The Mermaid)". American Symphony Orchestra. 2020-07-29. Retrieved 2021-03-09.
  13. ^ "Alexander von Zemlinsky: Die Seejungfrau (Fantasie nach Andersen)". jpc. Retrieved 2021-03-08.