Genesis is a mural by Italian-American painter and sculptor Rico Lebrun depicting the suffering that humankind experiences in the Book of Genesis.[1] It was commissioned by Pomona College and completed in 1960.[3] It is located on the south entrance of Frary Dining Hall.

Genesis
ArtistRico Lebrun
Year1960 (1960)
MediumBlack polyvinyl acetone on gypsum plaster[1][2]
Dimensions880 cm × 760 cm (29 feet × 25 feet)[1]
LocationFrary Dining Hall, Pomona College, Claremont

Description

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The mural is on the interior wall of the south entrance of Frary Dining Hall at Pomona College. The central figure is Noah sheltering a child, while being surrounded by representations of the Genesis flood, Job, Sodom and Gomorrah, Cain and Abel, and Adam and Eve.[4] Lebrun's concept was to depict "the evolution of form," and he discussed "half-borrowing and half-inventing organic fragments, skulls, sections of backbones, sections of ribcages, roots of plants, geological formations ... to weld some kind of design which would put across the becoming of form."[5]

Development

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In November 1956, Lebrun visited Pomona in preparation for a solo exhibition for his work at its art gallery organized by Peter Selz. He admired José Clemente Orozco's fresco Prometheus in Frary and expressed an interest in painting a work in conversation with it.[6]

Selz pursued a commission for Lebrun, and secured a donation from Donald and Elizabeth Winston. The project stalled, however, after the Pomona Board of Trustees suggested that Lebrun submit sketches to the college's Buildings and Grounds Committee for approval, which he—along with Selz and the Winstons—viewed as a violation of his artistic freedom.[6] The board relented and the commission was approved in October 1958.[6]

Lebrun worked on sketches for the mural during a residency at the American Academy in Rome, during which time architect John Rex prepared a curtain wall for the work.[6] Lebrun arrived at Pomona in July 1960, bringing drawings that occupied most of the tables of Frary.[3] After redesigns, he began to paint in September,[3] assisted by Bill Ptaszynski and Jim Pinto. He finished the work in December 1960.[1]

Reception

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Detail of Noah in Genesis

Genesis was met with critical acclaim.[2] Seldon Rodman wrote in The New York Times that it was "the most ambitious mural painting north of the Rio Grande".[7] Lebrun wrote that it was "the best and most conclusive work I have painted to date".[2] Leonard Baskin, referencing Prometheus, wrote, "José Clemente can rest in peace. Hallowed ground has not been despoiled."[2]

Genesis is noted for its divergence from many of the artistic trends popular at the time. Its serious subject matter sets it apart from the more decorative works then popular in the region.[6] It is an example of a figurative work, contrasting with the abstract expressionism in vogue.[5] Lastly, its religious themes contrast with the increasing secularization of postwar America; Selz described it as "a religious painting created during a non-religious age".[5]

See also

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Public art at Pomona College

References

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  1. ^ a b c d Davidson, Martha (Spring 1962). "Rico Lebrun Mural at Pomona". Art Journal. 21 (3): 143–175. doi:10.2307/774410. JSTOR 774410.
  2. ^ a b c d Harth, Marjorie L. "Revisiting Genesis". Benton Museum of Art. Retrieved 8 October 2024.
  3. ^ a b c Lyon, E. Wilson (1977). The History of Pomona College, 1887–1969. Anaheim, California: The Castle Press. pp. 485–487. OCLC 4114776.
  4. ^ Sutton, Frances (29 April 2020). "Framed: 'Genesis' is the divine judgment above Frary's steps". The Student Life. Retrieved 12 September 2020.
  5. ^ a b c "Rico Lebrun's Genesis". Benton Museum of Art. Retrieved 12 September 2020.
  6. ^ a b c d e Selz, Peter (1976). "The Genesis of 'Genesis'". Archives of American Art Journal. 16 (3): 2–7. doi:10.1086/aaa.16.3.1556862. JSTOR 1556862.
  7. ^ Rodman, Selden (28 May 1961). "A Mural Enterprise; Lebrun's Biblical Painting Unveiled At Pomona College in California". The New York Times. Retrieved 8 October 2024.
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