Husband and Wife (夫婦, Fūfu) is a 1953 Japanese comedy-drama film directed by Mikio Naruse.[1][2]
| Husband and Wife | |
|---|---|
.jpg) Mariko Okada (left) and Yoko Sugi. | |
| Japanese name | |
| Kanji | 夫婦 |
| Directed by | Mikio Naruse |
| Written by | |
| Produced by | Sanezumi Fujimoto |
| Starring | |
| Cinematography | Asakazu Nakai |
| Edited by | Hidetoshi Kasama |
| Music by | Ichirō Saitō |
Production company | |
| Distributed by | Toho |
Release date | |
Running time | 87 minutes |
| Country | Japan |
| Language | Japanese |
Plot
editBecause her brother's future wife will soon move into the family's house, Kikuko and her husband Isaku are forced to look for a new room. They move into the house of Isaku's colleague Ryota, who has just lost his wife. Kikuko and the spontaneous, emotional Ryota develop an affection for each other, much to the concern of the rather detached, distanced Isaku. Kikuko and Isaku finally move into a new room whose landlady only accepts tenants without children. When Kikuko admits to her husband that she is pregnant, he tries to talk her into having an abortion. Kikuko first gives in, but eventually refuses, and Isaku agrees to have the child, even if their decision will make things difficult for them.
Cast
edit- Yōko Sugi as Kikuko
- Ken Uehara as Isaku
- Rentarō Mikuni as Ryota
- Keiju Kobayashi as Shigekichi, Kikuko's brother
- Mariko Okada as Kumiko, Kikuko's sister
- Kamatari Fujiwara as Kikuko's father
- Hisako Takihana as Kikuko's mother
- Chieko Nakakita as Mrs. Akamatsu
- Eiko Miyoshi as landlady
Background
editLike other Naruse films from this period, such as Repast and Wife, the theme of Husband and Wife involves a couple trapped with each other,[3] and, another recurring motif in the director's films, a character is forced to redefine oneself and test his/her strength.[4] Husband and Wife was Yōko Sugi's only starring role in a Naruse film, playing a part that had originally been intended for Setsuko Hara.[5]
Reception
editSlant Magazine critic Keith Uhlich awarded Husband and Wife 3.5/4 stars, describing it as a "what if" scenario, specifically, "what if Charlie Chaplin and Buster Keaton were locked together in a room and forced to fight over Mary Pickford?", a parallel which becomes explicit in a scene where the protagonists visit a stage show reenactment of a Chaplin routine. According to Uhlich, the film's theme is the journey towards "reconciliation of those contradictions inherent to being human."[6]
Legacy
editHusband and Wife was shown in the U.S. (including the Museum of Modern Art) as part of a Naruse retrospective in 1985, organised by the Kawakita Memorial Film Institute and film scholar Audie Bock.[7][8]
References
edit- ^ a b "夫婦 (Husband and Wife)". Japanese Movie Database (in Japanese). Retrieved 24 May 2021.
- ^ a b "夫婦 (Husband and Wife)". Kinenote (in Japanese). Retrieved 24 May 2021.
- ^ Richie, Donald (2012). A Hundred Years of Japanese Film. Kodansha. p. 126. ISBN 9781568364391.
- ^ Fujiwara, Chris (2005). "Mikio Naruse: The Other Women and The View from the Outside". Film Comment. Retrieved 24 May 2021.
- ^ Russell, Catherine (2008). The Cinema of Naruse Mikio: Women and Japanese Modernity. Durham and London: Duke University Press. p. 248. ISBN 978-0-8223-4290-8.
- ^ Uhlich, Keith (6 November 2005). "Husband and Wife". Slant Magazine. Retrieved 24 May 2021.
- ^ "Mikio Naruse: a master of the Japanese cinema". CineFiles. Retrieved 21 July 2021.
- ^ "Mikio Naruse: A Master of the Japanese Cinema Opens at MoMA September 23" (PDF). Museum of Modern Art. Retrieved 19 July 2023.