Janet World Tour (stylized as janet. World Tour) was the second concert tour by American recording artist Janet Jackson. It was launched in support of her fifth studio album Janet (1993). It began in November 1993 and continued through April 1995. Concerts were held in North America, Europe, Asia, and Australia. It is believed shows were performed in South America. However, there are not exact details and most information is unknown.[1][2]
| Tour by Janet Jackson | |
 Poster for the 1995 Australian leg, autographed by Jackson | |
| Associated album | janet. |
|---|---|
| Start date | November 24, 1993 |
| End date | April 22, 1995 |
| Legs | 6 |
| No. of shows | 82 in North America 9 in Asia 11 in Australia 23 in Europe 125 total |
| Janet Jackson concert chronology | |
Jackson's 1990 tour made history as the most successful debut concert tour in history. Like its predecessor, this tour became known for its theatrical grandeur—incorporating complex choreography, pyrotechnics, video display, stage design, and costuming—drawing comparison to Broadway theatre. Jackson visited four continents and eighteen countries within the span of 17 months. The tour had 125 dates and is the most shows Jackson has done for any concert. The show received positive reviews, and a number of reviews observed her showmanship had improved. The shows in North America, in 1994, earned $18.1 million.[3] Though the tour was professionally recorded, it has never received a video release as of 2024.[4][5]
Development
editCostumes and wardrobe for the tour were designed by stylist Tanya Gill, with outfits "rang[ing] from pipebone vests with high-heeled moccasin boots to zoot suits top-hats to circus-ringmaster bustiers."[6] With a show encompassing over 100 costumes, a team of over 50 costume makers was led by wardrobe supervisor Helen Hiatt.[6]
MTV promoted the Janet World Tour with a one-hour special in Jackson's honor, "hosted by MTV VJs Bill Bellamy and John Norris, [which featured] performance highlights, interviews with Jackson and her dancers, and behind-the-scenes production and rehearsal footage."[7] MTV publicist Jennifer Barner stated the channel wanted to give extensive coverage to Jackson's opening concert in Cincinnati, "because it is such a big tour and she's really, really hot now."[7] Despite heavy anticipation for the tour, news media were discouraged from attending opening night, which was seen as a dress rehearsal.[8] A spokeswoman for the tour stated "[w]e really don't want a lot of out-of-town media" even though music critic Rick Bird observed "[n]ormally, such an important tour opening would be attended by pop-music media and paparazzi from around the world.[8] However, Bird also noted a low-key premiere was a strategic move for Jackson and her management, "since the complicated high-tech dance show will likely have some bugs to be worked out before it plays in larger media centers. And, given the adverse publicity the Jackson family is facing these days, the low-key opening night may indeed be the best strategy."[8]
Critical reception
edit
Prior to the tour's launch, the Los Angeles Sentinel commented on the anticipation surrounding Jackson's return, stating: "Her first-ever concert tour in 1990 was the most successful premiere tour by any artist in pop music history. And now, amid great anticipation, Janet Jackson is set to return to the concert trail with her world tour in connection with her already triple platinum-plus 'janet' album ... The tour promises to be an innovative feast of sight and sound, a theatrical experience with spectacular choreography, staging and lighting."[9] Lenny Stoute in the Toronto Star gave a positive review to her performance at the SkyDome in Toronto, Ontario, Canada, stating that "as she'd done with the tour opener in Cincinnati Wednesday, it was a superb production that came with an emotional subtext."[10] Commenting on the highly athletic and sexually provocative performances of such songs as "If", "What Have You Done for Me Lately" and "Nasty", he states: "This pelvic-thrusting, butt-wiggling, lip-licking high-energy temptress is a long way from the cute 'n' chubby girl next door of her previous Rhythm Nation tour. And she came equipped with the tough dance moves, firm muscles and seven costume changes to emphasize the difference."[10]
In December 1993, Jackson had a five-day engagement in New York City at Madison Square Garden, which saw its last concert on New Year's Eve. Jon Pareles of The New York Times stated: "The video-age arena spectacle is in good hands with Janet Jackson. Her current tour, which started a four-night run at Madison Square Garden on Friday night, piles on the production values: music, dancers, costumes, moving sets, video, lights, fireworks, everything but confetti and balloons."[11] He criticized the fact that the concert seemed overtly calculated, leaving little room for spontaneity. However, he compared her musical diversity favorably to other pop icons such as Prince, Madonna and her brother Michael.[11] In reference to her vocal capabilities, Pareles comments that "[l]ike many other video-promoted singers, Ms. Jackson doesn't have a big voice ... But Ms. Jackson is a stronger vocalist than she was when she last toured, three years ago."[11]
According to Andy Smith of the Providence Journal, "Jackson and company created a sensory overload of lights, dancers, video, fireworks, explosions, costumes and sets ... The music was competently performed, but this was a concert for the age of MTV, more satisfying to the eye than the ear."[12] Although he believed she gave a well-performed production, he felt she lacked the stage presence of rivals such as Madonna and Tina Turner.[12] Greg Kot of Rolling Stone wrote: "If a performance can be faulted for being too well-rehearsed and too tautly paced, this was certainly an example ... Small of voice and slight of stature, Jackson seems more at home in a Fame-style ensemble than she does as a larger-than-life performer. Yet it's exactly that quality that makes her so endearing. Despite her impressive string of musical successes, Jackson still acts like the members of her audience."[13] Roberta Fusaro of the Telegram & Gazette, who reviewed her performance at The Centrum stated that Jackson "has shown incredible improvement as a performer since her Rhythm Nation tour ... specifically her dancing and her working of the crowd. She still lacks some of the spontaneity that could raise the level of her concerts from good ones to damn memorable ones, but Janet seemed pretty comfortable on stage last night in front of an all-forgiving near sold-out crowd, commanding the boards like a cross between Tina Turner and Madonna at some points."[14]
In reviewing her concert at the San Jose Arena, Michael Snyder of the San Francisco Chronicle wrote: "That once-blurry line between stadium-size pop music concerts and full-scale theatrical extravaganzas ... is completely eradicated."[15] Citing her tightly choreographed performance, Snyder comments "[h]er theatrical inclinations elevated the concert at San Jose, but some of the music was truncated in the service of the production."[15] Giving his opinion that Jackson proved to be a better performer than a singer, he likened her concert to productions by Broadway theatre and Cirque du Soleil.[15] Karla Peterson of The San Diego Union-Tribune remarked: "Expertly designed, energetically choreographed, and engagingly performed by the large group of musicians and dancers, the 100-minute show ... had everything you'd expect from a pop pro of Jackson's stature."[16] Despite criticism that the show appeared overly structured, Peterson expressed: "To criticize Janet Jackson for cranking out a pre-programmed block of hits is like criticizing a cat for sleeping all day. It is simply what she does, and with the exception of Madonna, Jackson does this high-concept schtick better than anybody. She is a sharp dancer, an appealing performer, and as "That's the Way Love Goes" proves—an ace pop-song writer."[16] Renee Graham of The Boston Globe commented that "Jackson is not so much a singer as a performer and entertainer, more concerned with the visual presentation than scintillating vocals."[17]
Personnel
edit- Musical director: Rex Salas
- Keyboards: Rex Salas
- Drums: Jonathan Moffett, John Roberts
- Keyboards: Eric Daniels, Brian Simpson
- Percussion: Terry Santiel
- Guitar: David Barry
- Bass: Sam Sims
- Background vocals: Stacy Campbell, Romeo Johnson, and Lisa Taylor
- Choreographer: Tina Landon
- Dancers: Tina Landon, Sean Cheesman, Cynthia Davila, Shawnette Heard, Omar Lopez, Tish Oliver, Kelly Konno, Nikki Pantenburg, Tam Jo (select shows)[18][19]
Opening acts
edit- Tony! Toni! Toné! (North America, Leg 1 & 2, select dates)[20]
- Mint Condition (North America, Leg 2, select dates)[21]
- MC Lyte (North America, Leg 3, select dates)
- Tevin Campbell (North America, Leg 3, select dates)[22]
- Kulcha (Australia)
- MN8 (England)
- Bill Bellamy (Philadelphia, January 1994)[23]
Setlist
editThe following setlist was obtained from the concert held on April 20, 1995; at the Wembley Arena in London, England.[24] It does not represent all concerts for the duration of the tour.
- "If"
- "What Have You Done for Me Lately" / "Nasty"
- "Let's Wait Awhile"
- "Throb"
- "When I Think of You" / "Escapade" / "Miss You Much"
- "Love Will Never Do (Without You)"
- "Alright"
- "What'll I Do"
- "Any Time, Any Place"
- "Again"
- "Black Cat"
- "Rhythm Nation"
- "This Time"
- "That's the Way Love Goes"
- Encore
Notes
- "Come Back to Me", "What'll I Do", and "Where are You Now" were only performed on the first few dates of the tour before being cut from the setlist. "And On and On" was only performed at select shows during the third leg of the tour. "Black Cat" and "This Time" were exclusively performed during the first leg in North America.
- During each show, one of these three songs would be performed as the last song of each concert. "Because Of Love" was performed on the first, second, and third legs in North America and Japan; "You Want This" was performed on the fourth and fifth legs in North America, Australia, and Asia; and "Whoops Now" was performed on the sixth leg in Europe.
Tour dates
editBox office score data
edit| Venue | City | Tickets sold / available | Gross revenue |
|---|---|---|---|
| SkyDome | Toronto | 17,737 / 18,000 (99%) | $506,042[30] |
| Joe Louis Arena | Detroit | 15,070 / 15,070 (100%) | $455,122[31] |
| Madison Square Garden[e] | New York City | 44,714 / 44,714 (100%) | $1,936,305[32] |
| Charlotte Coliseum | Charlotte | 11,999 / 23,302 (51%) | $332,972[32] |
| BJCC Coliseum | Birmingham | 7,650 / 10,846 (71%) | $212,288[32] |
| Worcester Centrum | Worcester | 12,681 / 13,128 (97%) | $372,821[33] |
| The Spectrum | Philadelphia | 15,513 / 15,513 (100%) | $467,204[34] |
| Nutter Center | Fairborn | 12,445 / 12,445 (100%) | $359,174[35] |
| McNichols Sports Arena | Denver | 12,891 / 13,327 (97%) | $421,436[36] |
| Jones Beach Theater | Wantagh | 21,658 / 21,658 (100%) | $846,215[37] |
| Radio City Music Hall | New York City | 11,134 / 11,828 (94%) | $618,060[38] |
| TOTAL | 183,492 / 199,831 (92%) | $6,527,639 | |
Notes
editReferences
edit- ^ "Janet Jackson adia show no Brasil por "tempo indeterminado"" [Janet Jackson postpones concert in Brazil for "indefinitely"]. Universo Online (in Portuguese). October 31, 2011. Archived from the original on January 2, 2012. Retrieved December 17, 2011.
- ^ "Janet Jackson adia show no Brasil por tempo indeterminado" [Janet Jackson postpones concert in Brazil for "indefinitely"]. Veja (in Portuguese). Editora Abril. Archived from the original on November 5, 2011. Retrieved December 17, 2011.
- ^ Harrington, Richard (January 4, 1995). "THE ROAD WARRIORS". The Washington Post. Archived from the original on January 31, 2022. Retrieved January 30, 2022.
- ^ CNN.com – Transcripts, February 28, 2008, archived from the original on April 4, 2013, retrieved August 2, 2013
- ^ "Darren speaks to Janet at premiere of Why Did I Get Married Too? in London". Janet Love. Archived from the original on July 18, 2010. Retrieved June 28, 2010.
- ^ a b McHugh, Catherine (August 1, 1994). "Janet. (Janet Jackson)(Concerts – Costumes)". Theatre Crafts International. Vol. 28. p. 36. ISSN 1063-9497.
- ^ a b Dave Larsen (November 24, 1993), "Janet Jackson Tour Opens in Cincinnati Tonight", Dayton Daily News, ISSN 0897-0920
- ^ a b c Rick Bird (November 24, 1993), "Janet tour opener kept low-key", Cincinnati Post, p. 4.B
- ^ "Janet Jackson Launches Worldwide Concert Tour", Los Angeles Sentinel, p. B-4, November 17, 1993, ISSN 0890-4340
- ^ a b Lenny Stoute (November 27, 1993), "Sexy Janet Jackson defies family woes in SkyDome smash", Toronto Star, p. A.2
- ^ a b c Jon Pareles (December 20, 1993), "Wrapped in Song and Spectacle, Janet Jackson Plays the Garden", The New York Times, p. C.11, ISSN 0362-4331
- ^ a b Andy Smith (December 29, 1993), "Janet Jackson more satisfying to the eye than to the ear", Providence Journal, p. E.01
- ^ Greg Kot (January 27, 1994), "Performance: Janet Jackson", Rolling Stone, no. 674, p. 25
- ^ Roberta Fusaro (January 31, 1994), "Janet's gotten better", Telegram & Gazette, p. C.3
- ^ a b c Michael Snyder (February 18, 1994), "Janet Jackson Makes All The Right Moves / Singer brings extravaganza to San Jose", San Francisco Chronicle, pp. C.1
- ^ a b Karla Peterson (February 26, 1994), "Pop goes Janet in concert full of programmed flash", The San Diego Union-Tribune, p. E.6
- ^ Graham, Renee (June 20, 1994), "Janet Jackson: looks good, sounds bad", Boston Globe, p. 34
- ^ Tamsier Joof (Tam Jo) interview : West Africa Magazine : "Senegambian taking the dance world by storm" – June 5, 1995, p. 4
- ^ Sandler, Adam (April 11, 1994). "Janet Jackson; Mint Condition". Archived from the original on January 31, 2022. Retrieved January 30, 2022.
- ^ Green, Tony (January 21, 1994). "all grown up". St. Petersburg Times. Archived from the original on January 31, 2022. Retrieved January 30, 2022.
- ^ Hilburn, Robert (April 9, 1994). "POP MUSIC REVIEW : Janet Jackson: See Her Roar : Forum Show Throbs in Pomp and Circumstance". Los Angeles Times. Archived from the original on January 31, 2022. Retrieved January 30, 2022.
- ^ Gipson, L. Michael (May 9, 2019). "The Curious Case of Tevin Campbell". The Reckoning. Archived from the original on January 31, 2022. Retrieved January 30, 2022.
- ^ "Amusement Business Boxscore: Top 10 Concert Grosses". Billboard. Vol. 106, no. 8. Nashville, Tennessee: BPI Communications. February 19, 1994. p. 14. ISSN 0006-2510. Retrieved January 30, 2022.
- ^ "Janet Jackson Setlist at Wembley Arena, London". setlist.fm. Archived from the original on September 4, 2023. Retrieved September 4, 2023.
- ^ Sources for concerts in New York City, Landover, Richmond and Rosemont
- Davis, Carlton; Austin, Monette (January 14, 1994). "SINGING SERGEANT DESERVES A SALUTE". Daily Press. Archived from the original on January 31, 2022. Retrieved January 30, 2022.
- Pareles, Jon (December 20, 1993). "Review/Pop; Wrapped in Song and Spectacle, Janet Jackson Plays the Garden". The New York Times. Archived from the original on September 24, 2014. Retrieved January 30, 2022.
- Johnson, Robert E. (December 27, 1993). "Janet Jackson says: 'It Just Comes to Me' as she explains sexy songs and dance on her new world tour". Jet. 85 (9). Johnson Publishing Company: 58–62. Archived from the original on September 4, 2023. Retrieved January 30, 2022.
- Harrington, Richard (January 12, 1994). "BETTE, BARBRA ON TOP IN '93". The Washington Post. Archived from the original on January 31, 2022. Retrieved January 30, 2022.
- ^ Zad, Martie (December 26, 1993). "JANET JACKSON, SOAPS, ASTAIRE, COUNTRY CABLE IN NEW YEAR". The Washington Post. Archived from the original on January 31, 2022. Retrieved January 30, 2022.
- ^ Source for concert in Phoenix
- Gooze, Rob M. (April 20, 1994). "A Something funky rocked Phoenix Monday night. Her name is Janet. Enough said". Arizona Daily Wildcat. University of Arizona. Archived from the original on January 31, 2022. Retrieved January 30, 2022.
- ^ a b "DELTA CENTER RESCHEDULES 2 JANET JACKSON CONCERTS". Deseret News. March 11, 1994. Archived from the original on January 31, 2022. Retrieved January 30, 2022.
- ^ "Milwaukee celebrates summer with music". Post-Bulletin. June 23, 1994. Archived from the original on January 31, 2022. Retrieved January 30, 2022.
- ^ "Amusement Business Boxscore: Top 10 Concert Grosses" (PDF). Billboard. Vol. 105, no. 51. Nashville, Tennessee: BPI Communications. December 18, 1993. p. 14. ISSN 0006-2510. Retrieved January 30, 2022.
- ^ "Amusement Business Boxscore: Top 10 Concert Grosses" (PDF). Billboard. Vol. 105, no. 52. Nashville, Tennessee: BPI Communications. December 25, 1993. p. 30. ISSN 0006-2510. Retrieved January 30, 2022.
- ^ a b c "Amusement Business Boxscore: Top 10 Concert Grosses" (PDF). Billboard. Vol. 106, no. 5. Nashville, Tennessee: BPI Communications. January 29, 1994. p. 17. ISSN 0006-2510. Retrieved January 30, 2022.
- ^ "Amusement Business Boxscore: Top 10 Concert Grosses" (PDF). Billboard. Vol. 106, no. 7. Nashville, Tennessee: BPI Communications. February 12, 1994. p. 15. ISSN 0006-2510. Retrieved January 30, 2022.
- ^ "Amusement Business Boxscore: Top 10 Concert Grosses" (PDF). Billboard. Vol. 106, no. 8. Nashville, Tennessee: BPI Communications. February 19, 1994. p. 14. ISSN 0006-2510. Retrieved January 30, 2022.
- ^ "Amusement Business Boxscore: Top 10 Concert Grosses" (PDF). Billboard. Vol. 106, no. 9. Nashville, Tennessee: BPI Communications. February 26, 1994. p. 17. ISSN 0006-2510. Retrieved January 30, 2022.
- ^ "Amusement Business Boxscore: Top 10 Concert Grosses". Billboard. Vol. 106, no. 21. Nashville, Tennessee: BPI Communications. May 21, 1994. p. 17. ISSN 0006-2510. Retrieved January 30, 2022.
- ^ "Amusement Business Boxscore: Top 10 Concert Grosses" (PDF). Billboard. Vol. 106, no. 31. Nashville, Tennessee: BPI Communications. July 30, 1994. p. 16. ISSN 0006-2510. Retrieved January 30, 2022.
- ^ "Amusement Business Boxscore: Top 10 Concert Grosses" (PDF). Billboard. Vol. 106, no. 34. Nashville, Tennessee: BPI Communications. August 20, 1994. p. 14. ISSN 0006-2510. Retrieved January 30, 2022.