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N.Y.P.D. is a half-hour long American police crime drama set in the context of the New York City Police Department. The program aired on the ABC network from 1967–1969 in the 9:30 p.m. night time slot. During the second season, N.Y.P.D was joined by The Mod Squad and It Takes a Thief to form a 2½ hour block of crime dramas.
N.Y.P.D. | |
---|---|
Genre | Police crime drama |
Created by | Arnold Perl David Susskind |
Written by | Lonne Elder III Arnold Perl Albert Ruben David Susskind |
Directed by | Robert Butler Alex March Daniel Petrie David Pressman |
Starring | Jack Warden Robert Hooks Frank Converse |
Theme music composer | Charles Gross |
Composer | Charles Gross |
Country of origin | United States |
Original language | English |
No. of seasons | 2 |
No. of episodes | 49 |
Production | |
Executive producer | Daniel Melnick |
Producer | Bob Markell |
Editor | Lyman Hallowell |
Running time | 30 minutes |
Production companies | Talent Associates, in association with the ABC Television Network |
Original release | |
Network | ABC |
Release | September 5, 1967 March 25, 1969 | –
Plot
editN.Y.P.D. centers around three New York police detectives – Lieutenant Mike Haines (Jack Warden), Detective Jeff Ward (Robert Hooks), and Detective Johnny Corso (Frank Converse) – who fight a wide range of crimes and criminals. The show features many real New York City locations, as well as episodes based on actual New York City police cases.
Cast
edit- Jack Warden as Lt. Mike Haines
- Robert Hooks as Det. Jeff Ward
- Frank Converse as Det. Johnny Corso
- Ted Beniades as Det. Richie
- Denise Nicholas as Ethel
- Tom Rosqui as Det. Jacobs
Production
editDevelopment
editThe show was produced by Talent Associates, Ltd., a company founded by Alfred Levy and David Susskind. Talent Associates had produced 14 years of the anthology program Armstrong Circle Theatre and The Kaiser Aluminum Hour. David Susskind created N.Y.P.D. with screenwriter Arnold Perl (Cotton Comes to Harlem). Daniel Melnick, executive producer of N.Y.P.D., was a partner with Susskind in Talent Associates and had brought Mel Brooks and Buck Henry together to create the television comedy Get Smart in 1965. Producer Susskind and actor Harvey Keitel would work together again on Martin Scorsese's Alice Doesn't Live Here Anymore (1974). One of the writers on the series was Lonne Elder, who would later become the first African-American nominated for a Best Screenplay Oscar (for the 1972 movie Sounder).
Casting
editAmong the guest stars who appeared in the series were:
- Al Pacino (S02E05; "Deadly Circle of Violence")
- Martin Sheen (S02E08 "The Peep Freak")
- Jon Voight (S01E14; "The Bombers")
- Harvey Keitel (S02E06; "The Shady Lady")
- Jane Alexander (S02E14; "The Night Watch")
- Roy Scheider (S02E19; "Who's Got the Bundle?")
- Sam Waterston (S02E23; "No Day Trippers Need Apply")
- Charles Grodin (S01E06; "Money Man")
- Howard Da Silva (S01E07; "Old Gangsters Never Die")
- Murray Hamilton (S01E24; "The Private Eye Puzzle")
- Charles Durning (S02E01 "Naked in the Streets")
Others include: Robert Alda, Rutanya Alda, Conrad Bain, Philip Bosco, John Cazale, Leslie Charleson, Miriam Colon, Franklin Cover, Matthew Cowles, Blythe Danner, Ossie Davis, Mary Fickett, Scott Glenn, Moses Gunn, Graham Jarvis, James Earl Jones, Raul Julia, Marcia Jean Kurtz, Laurence Luckinbill, Nancy Marchand, Bill Macy, Donna McKechnie, Meg Myles, Priscilla Pointer, Andrew Robinson, Esther Rolle, Richard Ward, Louis Zorich, Jill Clayburgh, Jane Elliot, Ralph Waite, Gretchen Corbett
Writing
editIn 1967, N.Y.P.D. was the first television series in America to air an episode with a self-identified gay character ("Shakedown").[1] The plot of the episode centers around the police tracking down a blackmailer who has triggered several suicides by their targeting of gay men. In the course of their investigation, the police also visit a gay rights group, another first.
N.Y.P.D. scripts featured both black and white people as cops, suspects, and witnesses, an unselfconscious racial blend that would not otherwise be seen for several years on U.S. network television (Room 222 and Hawaii Five-O were among the next series to feature casts situated similarly.)
Opening credits
editThe series' opening credit sequence, prominently featuring a closeup of a police car emergency light as the vehicle drives through the streets of New York, would later be spoofed in the 1980s comedy series Police Squad! and subsequent movies.
Episodes
editSeason 1 (1967–68)
editNo. overall | No. in season | Title | Directed by | Written by | Original air date | |
---|---|---|---|---|---|---|
1 | 1 | "Shakedown" | Daniel Petrie | Albert Ruben | September 5, 1967 | |
A blackmail ring that targets homosexuals is investigated after it leads to a series of suicides. | ||||||
2 | 2 | "Fingerman" | John Moxey | George Bellak | September 12, 1967 | |
Ward receives a series of hysterical calls from an informer who believes he's being followed by friends of a man he helped put in jail. | ||||||
3 | 3 | "The Screaming Woman" | Daniel Petrie | Robert Van Scoyk | September 19, 1967 | |
Corso is suspended after being charged with attempted rape after he and Ward investigate complaints from a woman about noisy drunks. | ||||||
4 | 4 | "Fast Gun" | Alex March | Albert Ruben | September 26, 1967 | |
A man with a quick trigger finger kills a detective and then taunts the police department. | ||||||
5 | 5 | "Walking Target" | Daniel Petrie | Edward Adler | October 3, 1967 | |
A high-ranking foreign police official is nearly shot by a sniper during an award ceremony at city hall. | ||||||
6 | 6 | "Money Man" | John Howe | Edward Adler | October 10, 1967 | |
The presence of a loan shark results in Ward and Corso going undercover in the construction industry to find out the reason for a series of unexplained deaths. | ||||||
7 | 7 | "Old Gangsters Never Die" | Alex March | Mark Jam | October 17, 1967 | |
A professional hijacker (Howard Da Silva) emerges from a lengthy prison term and immediately resumes his old bad habits. | ||||||
8 | 8 | "Catch a Hero" | Robert Butler | Edward DeBlasio | October 31, 1967 | |
Haines breaks down a girl's alibi whereby she incriminates her boyfriend in the brutal killing of a drunk. | ||||||
9 | 9 | "Murder for Infinity" | John Moxey | Ian McLellan Hunter | November 7, 1967 | |
A sculptor wanted for murder contacts Haines' friend and bargains for a top defense lawyer. | ||||||
10 | 10 | "The Pink Gumdrop" | Gene Reynolds | Robert Crean | November 14, 1967 | |
An attractive ex-convict who is a passenger in a stolen sports car, provides the lead in helping capture the head of a car theft ring. | ||||||
11 | 11 | "The Witness" | Unknown | Unknown | November 21, 1967 | |
Ward is accused of accepting a bribe from a frontman during a crackdown on the numbers racket. | ||||||
12 | 12 | "Boy Witness" | David Pressman | S : Bill Westley T : Albert Ruben | November 28, 1967 | |
A 13-year-old boy is the only witness in the murder of an attractive young woman. | ||||||
13 | 13 | "Joshua Fit the Battle of Fulton Street" | Alex March | Lee Kalcheim | December 5, 1967 | |
After a crime wave strikes a New York neighborhood, residents form a vigilante group. | ||||||
14 | 14 | "The Bombers" | Robert Gist | S : Elihu Winer T : Edward DeBlasio | December 12, 1967 | |
A fanatical anti-Communist (Jon Voight) and his fiancée bomb multiple Iron Curtain consulates, killing and injuring a number of people | ||||||
15 | 15 | "Wire Finish" | Hal Cooper | Edward DeBlasio | December 19, 1967 | |
A jockey (Robert Salvio) is told during mysterious phone calls that two murders were committed in his name. | ||||||
16 | 16 | "Cruise to Oblivion" | John Moxey | Roger Hill Lewis | December 26, 1967 | |
Haines gets a tip that a passenger aboard an incoming ocean liner is carrying narcotics into New York. | ||||||
17 | 17 | "The Patriots" | John Howe | Charles S. Israel | January 2, 1968 | |
The wife of an exiled Latin American dictator is murdered, with the prime suspects being the dictator's political enemies. | ||||||
18 | 18 | "Red Headed Pigeon" | Lawrence Dobkin | George Bellak | January 16, 1968 | |
An elusive rapist who always attacks young women with long hair results in the police department using a young policewoman just out of the academy as a decoy. | ||||||
19 | 19 | "Which Side Are You On?" | Alex March | Albert Ruben | January 30, 1968 | |
After an elderly African-American high school teacher is killed, Ward goes to the neighborhood where the killing took place, but is met with cold hostility from the residents. | ||||||
20 | 20 | "Cry Brute" | Reza Badiyi | Alvin Boretz | February 6, 1968 | |
Corso is accused of police brutality and is the central figure in a $100,000 lawsuit against the city. | ||||||
21 | 21 | "Last Port of Call" | Unknown | Unknown | February 13, 1968 | |
A merchant seaman is accused of molesting children and instructed to stay aboard his ship, but he makes an effort to clear himself by visiting the parents of one of the children. | ||||||
22 | 22 | "Macho" | Unknown | Unknown | February 20, 1968 | |
A Puerto Rican grocer's life is threatened and his store is boycotted after he saves a policeman from an attack by a gang of neighborhood boys. | ||||||
23 | 23 | "Stones" | Unknown | George Bellak | February 27, 1968 | |
Corso infiltrates a gang of "thrill muggers" who victimize elderly vagrants in Central Park. | ||||||
24 | 24 | "The Private Eye Puzzle" | Joshua Shelby | Alvin Boretz | March 5, 1968 | |
A former private eye reports that he was robbed of a large sum of money, but has no witnesses to back up his story. | ||||||
25 | 25 | "Nothing Is Real but the Dead: Part 1" | Alex March | Edward Adler | March 12, 1968 | |
Haines and Corso search for a young girl who left her wealthy parents to take up life as a Greenwich Village hippie. | ||||||
26 | 26 | "Nothing Is Real but the Dead: Part 2" | Alex March | Edward Adler | March 19, 1968 | |
Two Greenwich Village hippies who can identify a killer go into hiding out of fear of him. |
Season 2 (1968–69)
editNo. overall | No. in season | Title | Directed by | Written by | Original air date | |
---|---|---|---|---|---|---|
27 | 1 | "Naked in the Streets" | Stuart Hagman | David Davidson | October 1, 1968 | |
After a young married woman is raped, the detectives are stymied when she refuses to sign a complaint against the attacker. | ||||||
28 | 2 | "Encounter on a Rooftop" | John Manduke | Gene Radano | October 8, 1968 | |
Ward is accidentally shot by a rookie policeman after he's mistaken for a burglar. | ||||||
29 | 3 | "Day Tripper" | David Pressman | George Bellak | October 15, 1968 | |
An attractive young girl is found murdered and all the evidence points to her boyfriend as the killer. | ||||||
30 | 4 | "What's a Nice Girl ..." | Reze Bella | Leo Hutchinson | October 29, 1968 | |
After the death of a beautiful young girl, the damaged relationship between a spoiled son and his wealthy father becomes part of the subsequent interrogation. | ||||||
31 | 5 | "Deadly Circle of Violence" | David Pressman | Lonne Elder | November 12, 1968 | |
A motive is sought for the attempted killing of a disreputable white southerner (Al Pacino), with suspicions pointing toward black militants who are seeking revenge for the bombing of an African-American church in the South. | ||||||
32 | 6 | "Case of the Shady Lady" | Vincent Benedict | Alvin Boretz | November 19, 1968 | |
A go-go dancer accuses an influential businessman (Robert Alda) of murdering her husband. | ||||||
33 | 7 | "The Golden Fleece" | Davis Pressman | Robert Lewis | November 26, 1968 | |
Detectives have difficulty tracking down a con artist who has swindled an out-of-town businessman out of $5,000. | ||||||
34 | 8 | "The Peep Freak" | David Pressman | Stanley H. Silverman | December 3, 1968 | |
While investigating the murder of a young woman, the police discover a peeping Tom (Martin Sheen) who they believe is connected with the slaying. | ||||||
35 | 9 | "Walk the Long Pier" | Unknown | Unknown | December 10, 1968 | |
Corso poses as a longshoreman in order to stop the theft of guns on the docks. | ||||||
36 | 10 | "The Witch of 116th Street" | Unknown | Unknown | December 17, 1968 | |
An extortionist is threatening residents with his self-proclaimed powers of black magic. | ||||||
37 | 11 | "'L' Is for Love and Larceny" | Unknown | Unknown | December 24, 1968 | |
Haines investigates the theft of an expensive pendant from the apartment of one of his friends. | ||||||
38 | 12 | "The Love Hustle" | Unknown | Unknown | December 31, 1968 | |
A prostitute staggers into the squad room and just before she dies, she indicates that an unknown man is planning to kill her mother. | ||||||
39 | 13 | "The Body in the Trunk" | Unknown | Unknown | January 7, 1969 | |
After the mysterious death of a young woman, the detectives are confronted with the woman's frightened boyfriend, her irate parents and an abortion doctor. | ||||||
40 | 14 | "The Night Watch" | Nicholas Colasanto | Unknown | January 21, 1969 | |
The search is on for a health food addict whose fanaticism eventually leads to murder. | ||||||
41 | 15 | "Three-Fifty-Two" | Alex March | Gene Rodano | January 28, 1969 | |
Ward loses his gun and shield during a holdup, with the entire police squad taking action to apprehend the thieves (Andy Robinson) . | ||||||
42 | 16 | "The Attacker" | David Pressman | Heyward Gould | February 4, 1969 | |
A man who has been attacking women in a specific neighborhood eludes detection at first when he becomes part of a group that confess to all sorts of crimes. | ||||||
43 | 17 | "Candy Man: Part 1" | Alex March | Robert Schiltt | February 11, 1969 | |
The detectives head to a drug rehabilitation center run by Candy Latson (James Earl Jones) in their search for a grocery store thief. | ||||||
44 | 18 | "Candy Man: Part 2" | Alex March | Robert Schlitt | February 18, 1969 | |
In an attempt to capture the grocery store thief, Corso observes a group therapy session at the rehab center. | ||||||
45 | 19 | "Who's Got the Bundle?" | Tom Donovan | Alvin Boretz | February 25, 1969 | |
Both police and criminals are in search of a valise that contains $150,000 in stolen money. | ||||||
46 | 20 | "The Face on the Dart Board" | Nicholas Colasanto | Gene Radano | March 4, 1969 | |
Haines' wife is harassed by crank calls, obscene letters and other disturbances, which are attributed to a vendetta against Haines. | ||||||
47 | 21 | "Boys Night Out" | David Pressman | Burt Armus | March 11, 1969 | |
A number of neighborhood bartenders are being shaken down by extortionists. | ||||||
48 | 22 | "Everybody Loved Him" | David Pressman | Heyward Gould | March 18, 1969 | |
A film producer who appeared to have no enemies is murdered. | ||||||
49 | 23 | "No Day Trippers Need Apply" | Nicholas Colasanto | Mel Alright | March 25, 1969 | |
A man is being blackmailed after the appearance of pictures showing him attending an orgy. |
References
edit- ^ "The Museum presents "Not That There's Anything Wrong with That": The History of Gay and Lesbian Images on Television". Paley Center. 2008-07-23. Retrieved 2024-09-18.
External links
edit- N.Y.P.D. at IMDb
- The Robert J. Markell papers, 1967–1968 are located in the Northeastern University Libraries, Archives and Special Collections Department, Boston, MA.