Wikipedia

Nanette Carter

Nanette Carolyn Carter, born January 30, 1954, in Columbus, Ohio, is an African-American artist[1] and college educator living and working in New York City, best known for her collages with paper, canvas and Mylar (archival plastic sheets).[2]

Nanette Carter
Born
Nanette Carolyn Carter

1954 (1954)
Columbus, OH, U.S.
EducationBachelor of Arts, Oberlin College; Master of Fine Arts, Pratt Institute; Accademia di Belle Arti, Perugia, Italy
Known forAbstract Art
Notable workAfro Sentinels II
Cantilevered

Daughter of Frances Hill Carter (January 13, 1920 – February 2, 2015) and Matthew G. Carter (October 16, 1913 – March 14, 2012), Nanette and her sister, Bettye Carter Freeman, grew up in Montclair, New Jersey, and graduated from Montclair High School.[3] Her father served as the city's first African American Mayor (1968-1972),[4] and her mother was an elementary school teacher who also taught dance, later becoming a reading specialist and Vice Principal in the Paterson Public Schools.

Early life

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In 1960, Carter's family moved from Ohio to Montclair, New Jersey. A doctor of divinity, her father was also a civil rights leader[5] dedicated to social justice and housing reforms[6] and served as Chair of the New Jersey Commission on Civil Rights.

Carter earned a BA from Oberlin College in 1976, majoring in Studio Art and Art History. During her junior year at Oberlin, she lived and studied at the Accademia di Belle Arti in Perugia, Italy. After graduating, Carter enrolled in Pratt Institute, Brooklyn, NY, where she earned her Master of Fine Arts in 1978.

Career

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In 1978, Care began teaching printmaking and drawing at the Dwight-Englewood School, Englewood, New Jersey, while she continued to develop her career as a full-time practicing artist.[7]

Since 1981, Carter's professional career in the arts has included extensive lecturing and teaching, conducting workshops, and serving as a panelist and juror for many universities and art institutions. Recent invitations include Bard College, NY (lecture),[8] Museo Nacional de Bellas Artes, Havana, Cuba (lecture), University of Hawaii, Hilo, Hawaii (lecture),[9] Wayne State University, MI (lecture),[10] Concordia College, NY (lecture)[11]

Since 2001, Carter has taught drawing at Pratt Institute, Brooklyn, NY, where she is a tenured Adjunct Associate Professor.[12]

Carter's work has been shown in numerous solo and group exhibitions[13] and is represented in over 45 corporate collections in addition to museum, library and university collections, including: The National Museum of Fine Arts, Havana, Cuba, The Studio Museum,[14] New York, NY, Yale University Art Gallery,[15] New Haven, CT, The Pennsylvania Academy of the Fine Arts, Philadelphia, PA, The Brandywine Workshop and Archives,[16] Philadelphia, Museum of Art, Rhode Island School of Design, Providence, RI, among others.

Creative practice

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In a 1984 Cooper-Hewitt Museum of Decorative Arts and Design exhibition, “Frank Lloyd Wright and the Prairie School,” Carter first saw Mylar in use by many of Wright's students. Known today for her collages with paper, canvas and Mylar (archival plastic sheets), Carter's work is recognized for its complex compositions, paintings, and drawings[17]

Her work directly responds to contemporary issues around war, injustices, and technology.[18] She seeks to address the need for “negotiating the realities of inequality seen around the world[19]” as evident in her series “Afro-Sentinels II"[20] that emanates from the desire to combat racial injustice with a cadre of vigilant guards. A body of recent work, begun in 2013, “Cantilevered”[21] becomes a metaphor for 21st Century life, “living with technology advancing every day, forcing one to look at global issues….responsibilities....a deluge of information and history.” In her creative practice for many years, Carter has been dedicated to working with intangible ideas around contemporary issues in an abstract vocabulary of form, line, and color, and to present the mysteries of nature and human nature. She seeks to achieve at the same time luminosity, transparency, and density in her compositions.

Permanent collections (selection)

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Nanette Carter's work is included in the permanent collections of museums in the United States and abroad.[22]

Awards and honors

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Carter has been awarded many honors including the Anonymous Was A Woman Award (2021),[23] The Adolph and Esther Gottlieb Foundation Grant, NY (2014), Artists’ Fellowship Inc. Grant, NY (2013), The Mayer Foundation Grant, NY (2013), Cultural Envoy to Syria, (2007) chosen by the US State Department to represent US at the 7th Annual Women's Art Festival in Aleppo, Syria,[24] Mudd Library, Oberlin College (2003) Commission, OH,[25] and invitations to be a resident artist at Hydra Art Project (2017), Perugia, Italy[26] and the Experimental Printmaking Institute (2015), Lafayette College, PA.

Further reading

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  • Visions of our 44th President. Charles H. Wright Museum of African American History, Regal Printing Ltd, Hong Kong, 2015
  • Profile, Nanette Carter. Charlotte Savidge. D x D – Differentiate by Design. Pratt Institute, NY March 2016
  • “Bouquet for Loving. My Mentor My Comrade,” Nanette Carter. “On Using Scapes,” Nanette Carter. Black Renaissance Noire, Institute of African American Affairs, New York University, NY, pp 91–95, 89, Vol 9, No 2-3, 2009/2010
  • “Nanette Carter at G. R. N”Namdi.” Jonathan Goodman. Art in America, January 2007
  • American Artist at Kozah Gallery. Tisheen. Damascus, Syria, November 27, 2007
  • Aqueous. Leslie King-Hammond. Ph.D.. G.R. N’Namdi Gallery, New York, NY 2006
  • Review. Margaret Hawkins. Art News, December 2005
  • Creating Their Own Image: African American Women Artists. Lisa Farrington, Ph.D., Oxford University Press, Oxford, England. 2004
  • Three Decades of American Printmaking. The Brandywine Workshop Collection. Allan Edmunds, ed., Hudson Hills Press, VT. pg 133, 2004
  • A Visual Explosion in Harlem. Cherilyn Wright. The International Review of African American Art. Hampton University, Hampton, VA. Vol 18, No 4. 2003
  • Six American Masters. Holland Cotter. The New York Times, NY, June 14, 2002
  • The Artist’s Way. O The Oprah Magazine, Hearst Communications, NY, p 230, November 2001
  • Metaphors on Mylar. Edward Sozanski. The Philadelphia Inquirer, PA, October 22, 1999
  • Interview of Nanette Carter. Calvin Reid. Artist and Influence. James Hatch, ed. Hatch-Billops Collection, Inc., New York, NY 1998
  • Beyond the Veil: Art of African American Artists at Century’s End. Mary Jane Hewitt, Ph.D. Cornell Fine Arts Museum, Rollins College, Winter Park, FL, 1998
  • Fresh Paint! New York Scene. Jonell Jaime. The International Review of African American Art, Hampton University Museum, Hampton, VA, Vol 13, No 13, 1997
  • Bearing Witness: Contemporary Works by African American Women Artists. Lowery Stokes Sims, Judith Wilson, et al. Spelman College Museum of Fine Art, Atlanta, GA and Rizzoli International Publications, Inc., NY, 1996
  • Gambo Ya Ya: Anthology of Contemporary African-American Women Artists. Leslie King-Hammond, Ph.D. Introduction. Midmarch Arts Press, NY 1995

References

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  1. ^ "Yes, Black Women Made Abstract Art Too, as a Resounding New Show Makes Clear". news.artnet.com. 20 October 2017. Archived from the original on 2020-02-04. Retrieved 2020-02-04.
  2. ^ Gauss, Daniel (9 March 2018). "An Act of Balance Nanette Carter at Skoto Gallery, Manhattan". Archived from the original on 2020-02-04. Retrieved 2020-02-04.
  3. ^ Major, Gerri. "Gerri Major's Society World", p. 38. Jet (magazine), December 19, 1974. Accessed February 6, 2020. "Nanette Carter, a graduate of Montclair (N. J.) High School, daughter of former Mayor and Mrs. Matthew Carter, is studying at the University of Perugia, in Perugia, Italy."
  4. ^ "Montclair Elects First Negro to Town Commission". The New York Times. 13 May 1964. Archived from the original on 2020-02-04. Retrieved 2020-02-04.
  5. ^ "Matthew G Carter Obituary". obits.nj.com. Archived from the original on 2018-11-27. Retrieved 2020-02-05.
  6. ^ "Matthew G. Carter Apartments Celebrates 40 Years of Affordable Housing in Montclair". tapinto.net. Archived from the original on 2019-11-12. Retrieved 2020-02-05.
  7. ^ "Nanette Carter". nnamdicontemporary.com. Archived from the original on 2019-06-16. Retrieved 2020-02-04.
  8. ^ "Studio Arts Program Presents: Nanette Carter". bard.edu.
  9. ^ "Black History Month celebration at UH Hilo". hawaii.edu.
  10. ^ "Wayne State University offers 7th annual African American Art Lecture Series". wayne.edu. 15 May 2018.
  11. ^ "Black History Month Takeover Matinee". concordia.ca.
  12. ^ "Nanette Carter Faculty Profile". pratt.edu.
  13. ^ "Nanette Carter Biography". mutualart.com.
  14. ^ "Color Collages". studiomuseum.org. 12 September 2017.
  15. ^ "Yale University Art Gallery Prints and Drawings". yale.edu.
  16. ^ "Nanette Carter". brandywineworkshopandarchives.org.
  17. ^ "Magnetic Fields: Expanding American Abstraction, 1960s to Today". kemperart.org. Archived from the original on 2019-11-15. Retrieved 2020-02-05.
  18. ^ "National Museum of Women in the Arts: Artist Spotlight". nmwa.org. Archived from the original on 2019-11-08. Retrieved 2020-02-05.
  19. ^ "NANETTE CARTER:An Act of Balance". brooklynrail.org. 7 February 2018.
  20. ^ "Nanette Carter, Afro Sentinels II, 2018". bellasartes.co. Archived from the original on 2020-02-04. Retrieved 2020-02-04.
  21. ^ "Nanette Carter, N'Namdi Contemporary". nnamdicontemporary.com. Archived from the original on 2019-06-16. Retrieved 2020-02-04.
  22. ^ "2021". Anonymous Was A Woman. Retrieved 2023-07-21.
  23. ^ "Anonymous Was A Woman Award" (PDF). Anonymous Was A Woman. November 9, 2021. Retrieved November 10, 2021.
  24. ^ "Art in Embassies U.S. Department of State". art.state.gov. Archived from the original on 2020-02-04. Retrieved 2020-02-04.
  25. ^ "A Newsletter of the Oberlin College Library" (PDF). oberlin.edu. Archived (PDF) from the original on 2020-02-04. Retrieved 2020-02-04.
  26. ^ "Montclair Native Nanette Carter Shows Her Artwork in Italy". montclairlocal.news. 13 July 2017. Archived from the original on 2020-02-04. Retrieved 2020-02-04.
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