Eva Ottilia Adelborg (6 December 1855 – 19 March 1936) was a Swedish children's book illustrator, comics artist[1] and author and the founder of a school for lace making. A literary award, the Ottilia Adelborg Prize, was established in her honor in 2000, and there is an Ottilia Adelborg Museum in the municipality of Gagnef.
Family and education
editShe was born in Karlskrona, Sweden, the daughter of Bror Jacob Adelborg and Hedvig Catharina af Uhr. She was the granddaughter of Erik Otto Borgh (1741–1787), a Swedish Army captain who was ennobled under the family name Adelborg by King Gustavus III of Sweden. Her sister Gertrud was a women's rights activist, while her sister, Maria Adelborg, also became an artist.
She showed early talent for drawing and studied at the Royal Academy of Art (1878–1884),[2] and she later furthered her art education with trips to the Netherlands (1898) and Italy (1901) as well as France.
Career
editThis section needs additional citations for verification. (February 2024) |
Adelborg quickly became known as a children's book illustrator, writing and illustrating over a dozen books between 1885 and 1920 and illustrating another dozen books for other authors. One of her best-known books was an alphabet of flowers, Prinsarnes blomsteralfabet (The Princes' Flower Alphabet, 1892) that was strongly influenced by the work of Walter Crane.[2] The title referred to the fact that at the time there were three young princes in the Swedish royal household.[2]
Another successful and much reprinted book was Pelle Snygg och barnen i Snaskeby (1896; in English as Clean Peter and the Children of Grubbylea, 1901).[2][5]
These and other of her early works led to Adelborg being called "the creator of the Swedish picture book for children".[2] Her style has been compared to that of both Crane and Elsa Beskow.[2][5] She also designed wallpaper patterns and home furnishings. In 1911, she designed the poster for the first major exhibition of women artists held in Sweden.[6]
Adelborg was very interested in handicrafts and in 1899 became a member of the executive board of the newly formed Swedish Handicraft Association.[2] In 1903, she moved to Gagnef, where she founded a school for lace-making and a local "Memory House" (Minesstugan) housing local crafts and historical artefacts. She died in Gagnef in 1936.
Her work is held by the Ottilia Adelborg Museum in Gagnef, by the Zorn Museum, and by the National Museum in Stockholm.
References
edit- ^ "Ottilia Adelborg". lambiek.net. Retrieved 13 February 2024.
- ^ a b c d e f g Klein, Barbro. "Cultural Loss and Cultural Rescue: Lilli Zickerman, Ottilia Adelborg, and the Promises of the Swedish Homecraft Movement". In The Benefit of Broad Horizons: Intellectual and Institutional Preconditions for a Global Social Science, Hans Joas and Barbro Klein, eds. Leiden: Brill, 2010, pp. 261–78.
- ^ "Ottilia Adelborg". nyaidun.se (in Swedish). 2015-05-26. Retrieved 17 April 2022.
- ^ The benefit of broad horizons : intellectual and institutional preconditions for a global social science : festschrift for Bjorn Wittrock on the occasion of his 65th birthday. Hans Joas, Björn Wittrock, Barbro Sklute Klein. Leiden. 2010. ISBN 978-90-04-19287-4. OCLC 813166437.
{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link) - ^ a b Mcgavran, James Holt. Literature and the Child: Romantic Continuations, Postmodern Contestations. University of Iowa Press, 1999, p. 179.
- ^ Gaze, Delia. Dictionary of Women Artists: Artists, J-Z. Taylor & Francis, 1997, p. 255.
Further reading
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