Sebastián Durón (19 April (baptized) 1660 – 3 August 1716) [1] was a Spanish composer.[2]
Life and career
editSebastián Durón Picazo was, with Antonio de Literes, the greatest Spanish composer of stage music of his time. He was born in Brihuega, Guadalajara, Spain, and was taught by his brother Diego Durón, also a composer. Sebastián served as organist and choirmaster at various cathedrals (Seville, Cuenca, El Burgo de Osma, Plasencia) until in 1691, when he was appointed organist of the Royal Chapel of King Charles II in Madrid. The new king King Philip V appointed him chapel master of this institution in 1701. He remained in this position until 1706, when he was suspended because of expressing support for Archduke Charles of Austria during the War of Spanish Succession, which ended with the victory of Bourbon King Philip V. Durón was forced into exile in France. In 1715 he was appointed chaplain to the exiled queen Mariana of Neuburg, the widow of Charles II, in Bayonne. He died in 1716 of tuberculosis at Cambo-les-Bains, Aquitaine, France.
Although Durón composed many sacred pieces, and these and his villancicos were taken to the New World,[3] his main influence was in the zarzuela.[4][5][6][7]
Father Benito Jerónimo Feijoo (1676–1764) criticised Durón, compared to Literes, for the worldliness of his compositions.
Stage works
edit- 1696 Salir el amor del mundo (libretto by ¿José de Cañizares?). Zarzuela in two acts.
- 1697 Muerte en amor es la ausencia (libretto by Antonio de Zamora). Mythological Comedy in three acts.
- c. 1697 Selva encantada de amor. Zarzuela in two acts.
- c. 1701 La guerra de los gigantes. 1 act.
- 1704 Hasta lo insensible adora (libretto by José de Cañizares). Zarzuela in two acts.
- c. 1705 Apolo y Dafne (anonymous libretto). Zarzuela in two acts (first act contains the music of Navas).
- c. 1705 Coronis (libretto by an anonymous poet). Zarzuela in two acts.
- 1711 22 January (revival date . Premniere c. 1706)Veneno es de amor la envidia (libretto by Antonio de Zamora, possibly with the participation of José Cañizares). Zarzuela in two acts: Madrid.
- 1711 25 December (revival date. Premniere c. 1702) Las nuevas armas de amor (libretto by José de Cañizares). Zarzuela in two acts: Madrid.
Selected discography
edit- Tonadas (Songs), Raquel Andueza. Naxos.
- selections on Barroco Español, Vol. 2, Vol. 3, by Al Ayre Español, cond. Eduardo Lopéz Banzo. DHM
- La Guerra de los Gigantes—A Corte Musical, Rogério Concalves Pan Classics, 2013
- Lágrimas, Amor - Arias for Soprano—Eva Juárez, A Corte Musical, Rogério Concalves Pan Classics, 2016
- Coronis - Le poème harmonique, Vincent Dumestre Outhere, 2022
References
edit- ^ French National Library
- ^ Grove G. Sadie S. The New Grove dictionary of music and musicians. 1927 p119, 1980 p751, 1992 p1286
- ^ Stevenson R.M. Christmas music from baroque México 1974 Page 43
- ^ Hart, Gordon Quenton A study and edition of the zarzuela Las nuevas armas de amor 1974
- ^ Esses Maurice Dance and Instrumental Diferencias in Spain During the 17th and Early 18th Century 1993 p266
- ^ Wiberg Janice Lane "Opera Scenica, deduzida de la Guerra de los Jigantes" by Sebastian Duron University Microfilms International, Stadtbibliothek Nürnberg 1997
- ^ Grout Donald Jay A short history of opera 2003 p549
Bibliography
edit- Hudson, Barton (1961), A Portuguese Source of Seventeenth-Century Iberian Organ Music, PhD, Indiana, Indiana University.
- Siemens Hernández, Lothar (1967), Six Tientos: Andrés de Sola y Sebastián Durón, Paris, Éditions musicales de la Schola Cantorum, Orgue et Liturgie, n.º 74.
- Verdú, Paulino Capdepón; Juan José Pastor (eds.), (2013), Sebastián Durón y la música de su época. Vigo: Editorial Académica del Hispanismo.
On Durón's zarzuelas:
- Acuña, Maria Virginia (2020), “‘May she who was once beautiful be transformed into a monster:’ Magic and Witchcraft in Envy is the Poison of Love (Madrid, 1711),” Early Music 48(3): 377–90.
- Acuña, Maria Virginia (2018), “Love Conquers All: Cupid, Philip V, and the Allegorical Zarzuela during the War of the Spanish Succession (1701–16),” Eighteenth-Century Music 15(1): 29–45.
- Acuña, Maria Virginia (2017), “Sobbing Cupids, Lamenting Lovers, and Weeping Nymphs in the Early Zarzuela: Calderón de la Barca’s El laurel de Apolo (1657) and Durón and Navas’s Apolo y Dafne (ca. 1700),” Bulletin of the Comediantes 69.2, 69–95.
- Szulim, Lukasz R (2010), "Dos zarzuelas de Sebastián Durón: Salir el Amor del mundo (1696) y El imposible mayor en amor le vence Amor (1710): cómo cambiaba el género zarzuelístico en España a caballo entre los siglos XVII-XVIII", en La cultura del Barroco español e iberoamericano y su contexto europeo, Varsovia, Uniwersytet Warszawski Instytut Studiów Iberyjskich i Iberoamerykanskich, pp. 689-694.
External links
edit- Free scores by Sebastián Durón in the Choral Public Domain Library (ChoralWiki)
- Free scores by Durón at the International Music Score Library Project (IMSLP)
- Sebastián Durón Project. (in Spanish)
- Flowers of Music in the Gardens of Palaces. (Gaytilla and Tiento of Sebastián Durón / Organ, 17th century, close to the birthplace of Durón)