Welcome is the second major label album by American alternative metal band Taproot. It was released on October 15, 2002. "Poem" served as the album's lead single and reached No. 5 on the Mainstream Rock chart, propelling the group to mainstream success. A follow-up single, "Mine," was released and its video was directed by System of a Down bassist Shavo Odadjian. A third single and video was announced for "Art," but curiously Atlantic pulled the plug soon after the announcement, further irking fans who claimed the label was holding Taproot back. Welcome remains Taproot's most successful record, selling over 475,000 copies.[1]
| Welcome | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | October 15, 2002 | |||
| Recorded | November 2001 – May 2002 | |||
| Studio | Cherokee Studios (Los Angeles, California) | |||
| Genre | ||||
| Length | 46:44 | |||
| Label |
| |||
| Producer | Toby Wright | |||
| Taproot chronology | ||||
| ||||
| Singles from Welcome | ||||
The band performed on the second part of Disturbed's Music as a Weapon Tour in promotion of the album.
Production
editDuring a break in their intense touring schedule in support of their debut album, Gift, Taproot went to Los Angeles to record several demos with Toby Wright. Those tracks were "Poem to Self", "Remain", "Get Me", "When", and "Transparent". Bolstered by their new recordings, the band featured "Poem to Self", "Transparent", and "Get Me" on tour during 2001, with "Poem to Self" soon becoming one of their most popular songs.
During the early development of Welcome, Taproot had given producer Toby Wright roughly 40 complete songs. Wright said that while they were good, the songs were not up to the band's potential, and he forced them to start from scratch. Several earlier tracks were reworked for the album, while the bulk of the material was discarded. Some of the demos include "Can't Believe", "Poem to Self", "Sumtimes", "Remain", "Strive", "Free", "Fort", "Like", "Promise", "When", "Transparent", "Contradiction", "Keep Your Head Up", "Not a Quitter", "Fault", "Get Me", "Can You", "Indecisive", "Myself", and "Dreams". This was initially met with resentment from the band, but they ultimately wrote entirely new songs that they felt show greater maturity.[2] One of the most prominent songs to survive the fresh batch was "Poem," which had seen prior success after being debuted by the band during concerts, such as Ozzfest 2001, and went on to be arguably Taproot's most well known single. Other songs that were refined with Toby Wright from earlier demos include "When", "Fault", "Sumtimes", and "Like". As with many Toby Wright productions, songs throughout Welcome are heavy on multi-tracked vocals and layered guitars.
While many of their early demos were not recorded for this effort, Taproot did re-record "Remain", "Transparent", and "Free" with Toby Wright. Some of these tracks were included on foreign releases of the album as a bonus track as well as the Poem single, and were later posted to the band's official MySpace page. "Remain", however, would remain unreleased until it was included in the band's 2018 boxset Besides.[3]
Reception
edit| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [4] |
| Blender | [5] |
| Orlando Sentinel | (favorable)[6] |
| Q | [7] |
| Rolling Stone | [8] |
| Sputnikmusic | [9] |
Critical response to Welcome was largely mixed. Various prominent media critics considered the album too mediocre to stand out among current alternative metal and nu metal acts. However, melodic improvements from Taproot's prior effort were also cited. AllMusic's Brian O'Neill also compared the band's stylistic "idolatry" as a shift from Korn to Alice in Chains. Robert Cherry of Rolling Stone cited the "me, me, me" lyrics as evidence of needed maturity but added that Welcome "marks a self-preserving transition from new metal to art metal." The publication also cited Taproot as one of the "Bands to Watch in 2002."[1] CMJ New Music Report described the album as musically being a combination of Korn and Alice in Chains,[10] and they also stated that Stephen Richards "wears vocal inspirations of Mike Patton and Brandon Boyd proudly on his sleeve, reaching high pitches that often toe the line between passionate and whiny."[11]
Track listing
editAccording to the lyric booklet, there are also alternative titles to some of these tracks
| No. | Title | Length |
|---|---|---|
| 1. | "Mine" | 3:49 |
| 2. | "Poem" | 3:09 |
| 3. | "Everything" | 3:27 |
| 4. | "Art" | 4:42 |
| 5. | "Myself" | 3:47 |
| 6. | "When" | 4:04 |
| 7. | "Fault" | 3:19 |
| 8. | "Sumtimes" | 4:29 |
| 9. | "Breathe" | 4:17 |
| 10. | "Like" | 4:38 |
| 11. | "Dreams" | 3:43 |
| 12. | "Time" | 3:20 |
| Total length: | 46:44 | |
The band also recorded three additional songs during the Welcome sessions. Two of them, "Transparent" (4:23) and "Free" (3:23), can both be found on the Poem CD single as B-sides and on the Japanese pressing of Welcome as bonus tracks. The lyrics to "Free" can still be found in the lyric booklet of Welcome The third track, "Remain", would be released with the other two on the 2018 box set Besides.
Credits
editTaproot
- Mike DeWolf - guitar[12]
- Phil Lipscomb - bass
- Jarrod Montague - drums[12]
- Stephen Richards - guitar, vocals[12]
Production
- Tom Baker - mastering[12]
- David Benveniste - A&R, executive producer[12]
- Elliott Blakey - engineer[12]
- Steve Sisco - mixing assistant[12]
- Tom Storms - A&R[12]
- Valente Torrez - assistant engineer[12]
- Jeff Turzo - digital programming[12]
- Andy Wallace - mixing[12]
- Toby Wright - engineer, producer[12]
Art direction
Charts
editAlbum
| Chart (2002) | Peak positions |
|---|---|
| Japanese Albums (Oricon)[13] | 210 |
| UK Albums (OCC)[14] | 104 |
| UK Rock & Metal Albums (OCC)[15] | 11 |
| US Billboard 200[16] | 17 |
Singles - Billboard (North America)
| Year | Single | Chart | Peak |
|---|---|---|---|
| 2002 | "Poem" | Mainstream Rock Tracks[17] | 5 |
| 2002 | "Poem" | Modern Rock Tracks[17] | 10 |
| 2003 | "Mine" | Mainstream Rock Tracks[17] | 23 |
| 2003 | "Mine" | Modern Rock Tracks[17] | 26 |
References
edit- ^ a b Taproot Gets Back To The Studio. Investors.WMG.com (2005). Retrieved on 9-21-08. Archived November 10, 2006, at the Wayback Machine
- ^ Wiederhorn, Jon. "Taproot's Second Album is Really Their Third ... Kind of". MTV.com (October 21, 2002). Retrieved on June 3, 2008.
- ^ Wookubus (October 26, 2018) (October 16, 2018). "Taproot Detail Extensive 8 CD Rarities Set "Besides"". PRP. The PRP. Retrieved August 16, 2020.
{{cite web}}: CS1 maint: numeric names: authors list (link) - ^ AllMusic review
- ^ Blender review Archived November 3, 2004, at the Wayback Machine
- ^ Orlando Sentinel review
- ^ Album reviews at CD Universe
- ^ "Rolling Stone review". Rolling Stone. Archived from the original on November 12, 2007. Retrieved March 1, 2007.
{{cite magazine}}: CS1 maint: bot: original URL status unknown (link) - ^ Sputnikmusic review
- ^ "CMJ New Music Report (Vol. 73, No. 6) - October 21st 2002". CMJ New Music Report. Vol. 73. CMJ Network, Inc. 2002. p. 23. ISSN 0890-0795. (October 21st, 2002). Retrieved on October 10, 2015
- ^ "CMJ New Music Report (Vol. 73, No. 6) - October 28th 2002". CMJ New Music Report. Vol. 73. CMJ Network, Inc. 2002. p. 23. ISSN 0890-0795. (October 21, 2002). Retrieved on November 3, 2023
- ^ a b c d e f g h i j k l m n Welcome - Taproot > Credits. Allmusic. Retrieved March 19, 2011
- ^ "タップルートのアルバム売り上げランキング". Oricon (in Japanese). Retrieved November 24, 2021.
- ^ "Chart Log UK: DJ T - Tzant". zobbel.de. Tobias Zywietz. Retrieved November 24, 2021.
- ^ "Official Rock & Metal Albums Chart Top 40". Official Charts Company. October 6, 2002. Retrieved November 24, 2021.
- ^ "Taproot Chart History: Billboard 200". Billboard. Retrieved November 24, 2021.
- ^ a b c d Welcome - Taproot > Billboard Singles. Allmusic. Retrieved March 19, 2011.